Word: eiffel
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Dates: during 1980-1989
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...Lorant) and the elegant French magazine Vu drew upon a breed of independent artist-photographer, often with one foot in Bohemia, to capture the arresting aspect of the everyday. Among the foremost practitioners were the German emigre Tim Gidal and Hungarian-born Andre Kertesz, whose enigmatic views of the Eiffel Tower and Paris streets imbued any human presence with an ephemeral tension...
...abroad, going back on the "mashed- potato circuit," admittedly upgraded to include palaces and potentates. But his message will be the same: the triumph of freedom. He delivered it eloquently in London's Gothic Guildhall and in Paris, where fireworks heralded the 100th birthday of a great lady, the Eiffel Tower...
...Boulevard (Eighth Avenue) takes the visitor past an armory of corrugated metal doors drawn protectively over shop facades. But on each of these doors a street genius named Franco has painted Pop-art murals appropriate to the goods sold inside: an underwater paradise for the fish shop, a spangled Eiffel Tower for the travel agency, a chain- laden Mr. T for the jewelry store. Midblock stands the legendary Apollo Theater, which brings Harlem alive every Wednesday with its Amateur Night display of singers, rap masters and a wonderfully gaudy fashion show. Next door is a vacant lot bearing the sign...
...last show, he was backstage in the Louvre tent amid models, dressers, seamstresses, hairdressers, makeup artists, lighting technicians and stagehands. "Paint those red lips!" he ordered. "I want you to look like you just got rid of your third husband!" Dashing through mounds of hats decorated with rhinestone Eiffel Towers, past racks of pink minks, turquoise ostrich feathers, Mexican blankets and red sequined gowns, he fusses with a model's hair. He directs a seamstress to stitch a new lining in a fur cape. Three minutes before showtime, Kelly joins hands with everyone for a revival-style prayer: "Thank...
...about? Plainly, a satire on commodity culture, the bulimic gorging of mass-produced imagery that is built so firmly into our social responses by now that we cannot, or will not, see its inherent strangeness. Mach is not just a fine-art version of the reclusive hobbyist who makes Eiffel Towers or Brooklyn Bridges from a million spent matches. He wants to turn surplus against itself -- not in the friendly way of Kurt Schwitters or Robert Rauschenberg but with real bloody-mindedness. A Million Miles Away posits a world in which things are carried along, bobbing like corks...