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...want to have a lot of other characters. I am trying to make this a spectacular dramatic work, not to say that my writing will be spectacular, but I want it to be close to a popular eighteenth century spectacle with a huge cast and lots of effects. I want it to approach that style—it will be an intense counterpoint to the morbidity of the subject matter...

Author: By Sarah E. Kramer, CRIMSON STAFF WRITER | Title: Thesis, Shmesis: Write a Book Instead | 11/9/2001 | See Source »

...show, I embarked into the city without a ticket, and with the knowledge that the show was sold out. I got there early enough to stand on the line for standing-room only tickets… well, apparently, not early enough, because they sold 15 tickets and I was eighteenth on the line...

Author: By Adam R. Perlman, CRIMSON STAFF WRITER | Title: Everybody's Got the Right | 9/14/2001 | See Source »

...pact to obtain supernatural powers of knowledge from the devil - an act of human encroachment upon divine prerogatives. But (as Roger Shattuck points out in his splendid book "Forbidden Knowledge"), the Enlightenment gave Faust an opposite reading. The German dramatist G.E. Lessing's Faust, in the mid-eighteenth century, was not damned for his pact with the devil, but, on the contrary, saved, because of his now admirable striving after knowledge...

Author: /time Magazine | Title: The Faustian Bargain of Stem Cell Research | 7/12/2001 | See Source »

...Museum of Fine Arts seems to think that American Folk Art is indeed worthy of museum space with its newest attempt at a blockbuster exhibit, “American Folk,” a collection of late eighteenth to early twentieth century folk art that comprises a broadly categorized melange of everything from cabinets to hunting decoys. About a hundred and twenty years ago, the founders of the Museum of Fine Arts (MFA) would have laughed at the idea of curating something so banal as what could be made by an amateur in the home, whose creation was intended...

Author: By Nikki Usher, CRIMSON STAFF WRITER | Title: Folk Implosion | 4/13/2001 | See Source »

...Eighteenth century chateaus are particularly desirable because of their large windows and roomy interior spaces. Laure Jakobiak, who works on chateau restorations with architect Bruno Lafourcade, says, "It is essentially Americans who are interested in restoring chateaus. They are very attracted by the history...

Author: /time Magazine | Title: The Global Life: Cheap Chateaus! | 4/9/2001 | See Source »

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