Word: eighteenth
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...Burke-Von Elm tie came about as a result of a typically exciting situation in the last round. Von Elm, eighteenth on the first day, got back into the running by shooting a second round of 69, two strokes under par and the lowest score of the meeting. He started the last round two strokes ahead of Burke, who had played three rounds consistently a stroke or two over par, with few birdies and one eagle on the long ninth hole. Burke, playing ahead of Von Elm in the last round, finished with a steady 73 for a total...
...High's Christian Herald. As a youngster he worked his way through high school as barkeep's assistant in a hotel. ". . . After watching booze ruin men, I made up my mind that if I ever got a chance, I would fight it . . . [now] I think that the eighteenth amendment is an asset to the folks who read our papers...
Three collections of silverware of the Seventeenth and Eighteenth centuries, providing unusual attraction for those interested in the subject, are now on exhibition in the Fogg Art Museum. An exhibition of 32 pieces representing English silversmith's art of the period has just been opened, while a group of American items of the same era has been on exhibition for a week. The Museum also calls attention to the fact that a permanent exhibit of American ware has been in its possession for a long period, and includes some pieces intimately connected with the history of the University...
...their first match of the season, the 1934 golfers lost to Exeter by the score of 7 to 2 at Exeter yesterday. The summary: M. F. Health '34 defeated Barber, Uup, eighteenth hole; Uullman defeated G. P. Bentz '34, 2 and 1; Wilson defeated H. D. Dorsay '34, 1 up, twelfth hole; Freeman defeated E. H. Taylor '34, 2 and 1; Williams defeated Bradley Collins '34, 2 and 1; T. D. Sullivan '34 defeated Warren, 1 up, twenty-third hole...
...significance of this criticism cannot be fully appreciated without contrasting it with that of the nee-classics which preceded it. Its emphasis had been on the plots of the plays, on their mechanical form. Coleridge, building on the rebellion of a number of eighteenth century predecessors as well as on the revolutionary Germans, transferred that emphasis to character analysis and to the organic or innate form of the plays, which (again I quote Mr. Raysor) "are historically associated with the rising romantic movement, because of the romantic love of personal individuality." No more illuminating example of this method of treatment...