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Word: eighteenth (lookup in dictionary) (lookup stats)
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...body was nothing more than a vehicle to carry his head around on, the truth was that he really did care. He had no reason to be generally proud of his physique, but it did have its fine points. His calves, for instance, would have been admired in the eighteenth century and he almost regretted the passing of knee britches...

Author: NO WRITER ATTRIBUTED | Title: Ordeal by Stethoscope | 11/21/1959 | See Source »

...there are many) can meet at Harvard 1 to hear Professor Wade-Gery's views on the Greek Renaissance and Archaic Greek, History 106. And next door in Harvard 3, Professor Pipes pre-dates the "We will bury you" era with History 155, Russia to the end of the Eighteenth Century...

Author: NO WRITER ATTRIBUTED | Title: Today and Always | 9/30/1959 | See Source »

...Eighteenth Century Recorder Music (The Recorder Consort; Classic Editions). Charming, lively chamber works by Alessandro Scarlatti, Jean-Baptiste Loeillet (1680-1730), Georg Philipp Telemann (1681-1767) and Bach, proving that the flutelike recorder, usually belittled as an amateur's instrument, can be as stimulating a voice as any woodwind...

Author: /time Magazine | Title: Music: New Records, Sep. 14, 1959 | 9/14/1959 | See Source »

...were the only victors against Princeton, as the varsity dropped its third of four Ivy League matches and its fourth of 14 contests overall. Warren, at the second spot, won his match 2 and 1, while Lipsky, playing at number six, was forced to the 380-yard par 4 eighteenth before winning one up. After driving into the water, Lipsky played three off the tee and got down in five, but his opponent folded and logged...

Author: NO WRITER ATTRIBUTED | Title: Tigers Defeat Golf Team, 5-2 | 5/12/1959 | See Source »

...Burne-Jones and Albert Moore, demonstrating the Pre-Raphaelites' influence on him. When one realizes that these works were done by the leaders of late Victorian art, he can fully appreciate the scope and importance of Beardsley's technical accomplishment. Another artistic force in Beardsley's career, the Japanese eighteenth century print-maker, Utamaro, is likewise represented with two works. However, these subtle, lyrical works tend to point up Beardsley's limited emotional attachment. The conviction which dignifies the art of Utamaro rarely can be found in the elegant, but laconic creations of the gifted Mr. Beardsley...

Author: NO WRITER ATTRIBUTED | Title: Aubrey Beardsley | 5/1/1959 | See Source »

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