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...Napoleon Greift Ein," or as the English has it "Napoleon Intrudes," deals with a wax figure of Napoleon which comes to life and trys to intervene in the modern world. He boasts that he alone can save Europe from becoming slaven of America. "Dann greift or ein," first in a diplomatic conference, then a boudoir, a motor picture studio, a madhouse, and ultimately the museum again...

Author: NO WRITER ATTRIBUTED | Title: The Crimson Playgoer | 5/4/1932 | See Source »

...being given with the cooperation and permission of Lee Shubert & Co., New York producers. It has had successful runs at European theatres, with the first production at Berlin in 1930, and later at the second Moscow Art Theatre. The German title of the play is "Napoleon Greift Ein...

Author: NO WRITER ATTRIBUTED | Title: DRAMATISTS PICK GERMAN PLAY FOR MAY PRODUCTION | 4/12/1932 | See Source »

Cinema advertising executives were moved to sharp replies. S. Charles Ein-feld, advertising and publicity director of Warner Bros., pointed out that Macy's methods were impractical for the cinema, which sells one thing at a time, cannot advertise cut-rates. Hal Home, advertising and publicity director of United Artists, said the rise of Macy's could be entitled "From Gags to Riches," pointed out that advertisement for pictures must "get all selling points over before the picture opens," that films cannot, like stores, build up goodwill. Last week the controversy continued when Kenneth Collins addressed a luncheon...

Author: /time Magazine | Title: Cinema: Macy's v. Movies | 1/18/1932 | See Source »

...highlights of the program, which will be made up mostly of German Christmas carols, are "Es ist ein Ros entsprungen," by Praetorius, sung by a quartet, and a piano solo, Bach-Gounod's Ave Maria...

Author: NO WRITER ATTRIBUTED | Title: GERMAN SING-SONG GOES ON AIR FOR SECOND BROADCAST | 12/18/1931 | See Source »

After this slight Apologia Pro Columna Sua we must turn to grander things. Tonight in Sanders Theatre the Boston Symphony Orchestra will play Strauss's. "Ein Heldenleben," a "Tondichtung," or in simplified terms "A Hero Life" a "Tone Poem." Out of deference to the artistic spirit the Vagabond will not launch into his usual scholarly criticism. He is willing, may desirous, of abiding by the composer's dictum that, "There is no need of a program. It is enough to know that a hero is fighting his enemies." That is the crux of the whole work; bear it in mind...

Author: NO WRITER ATTRIBUTED | Title: The Student Vagabond | 11/5/1931 | See Source »

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