Word: einst
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...music's evolution. But the problem with the book - and indeed with many music reviews - is that unless the song is familiar, it fails to inspire. It's one thing to read about Michael Jackson's "Billie Jean," but quite another to read about German industrial band Einstürzende Neubauten. The Pitchfork 500 has some gems hidden within its pages (bonus points for giving The B-52's "Private Idaho" the respect it deserves), as well as some questionable decisions (The Stone Roses' "I Wanna Be Adored" is way better than the book's choice of "She Bangs...
...ambassador for the chinese avant-garde, Cosmic Shenggy tours around Europe when not studying philosophy and sound engineering at university in London. She counts among her performance highlights a 2007 appearance at Barcelona's music and multimedia festival, Sonar, as well as a tour with German ensemble Einstürzende Neubauten, demigods of the sonic-art world...
...Shenggy also performs in an electronica duo, White, alongside vocalist Zhang Shouwang from Beijing alternative rockers Carsick Cars. It was with White that she caught the ear of Einstürzende Neubauten's singer-writer-multi-instrumentalist Blixa Bargeld. The duo plans to release a debut album later this year, under Bargeld's aegis. "Everything is coming very fast, young people are very open-minded and, in some ways, the scene lacks direction," she says. "Avant-garde music here needs time, but in a couple of years, things are going to be good...
...Mass. The period and setting are never clear, producing an inscrutable operatic haze that frustrates singers and spectators alike.The haze finally cleared—though only briefly—in the middle of the third and final act. As Buck was singing a humorous aria called “Einst träumte meiner sel’gen Base” (“My late cousin once dreamed”), an unexpected bang shot through the theatre. The overhead screen projecting the English translations of the sung German had gone blank, and would remain so for the rest...
...pencil drawings, are devoted to his unique celestial hierarchy. His are not stereotypic seraphim but more fragile, bemusing creatures who weep and clap for joy. According to art historian Werner Haftmann, Klee was long bedeviled by a childlike couplet of his own invention that kept running through his head: Einst werd ich liegen im Nirgend, bei einem Engel irgend, a rhyming play on words which roughly translates as, "One of these days I shall lie in nothingness, beside an angel of some kind." Indeed, there is so much visual wordplay going on in Klee's pictorial poetry that the show...