Word: einstein
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Dates: during 1980-1989
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Revolutions in Science succeeds because Cohen does not belief that science should be regarded only in its own terms. Science is inevitably bound up in other areas of intellectual history. Cohen embellishes his discussion of scientists from Copernicus to Einstein with reference to Thuycidides, Plato, Tacitus, Montaigne, English political history, Renaissance history, Jonathan Swift, Ben Jonson's masques, Rousseau, Voltaire, Samuel Johnson and even the rebel yell of confederate soldiers in the American Civil...
...piece for last year's reunion issue of The Crimson about the difficulties and rewards of working my way through Harvard at the depth of the depression. When I received my degree a year after the rest of my class in 1935, the platform was graced by Albert Einstein. Thomas Mann and others who had made great contributions to our knowledge and culture. I was proud to spend even an hour in their company...
...Glass Ensemble performed at the Festival d'Automne in Paris, which was run by Michel Guy, a French aristocrat fascinated by the New York avant-garde. Appointed Secretary of State for Culture the next year, Guy later commissioned Einstein on the Beach, which had its premiere in July 1976 after a year of rehearsals. The unconventional Einstein was a near pantomime set to Wilson's typically elliptical spoken texts and allusive stage pictures of railroad trains and spaceships. There were no formal arias or indeed any set pieces at all; a small chorus sang "One, two, three, four, five...
...America, the work attracted widespread attention, both pro and con, but it ran up a deficit of $100,000; to pay off his share, Glass went back to driving a cab. The experience was worth the price. "The main thing about Einstein is that it put me on the world theater map," he says. "After that I could work in the theater -- not at will, but something close...
...Satyagraha. Glass decided the work would be sung in Sanskrit, a mellifluous, vowel-rich language, to a text drawn from the Bhagavad-Gita. As his subject he chose Mohandas Gandhi's early years in South Africa, during which Gandhi developed his philosophy of nonviolent resistance. If the elemental Einstein was Glass's breakthrough, the gentle, serene Satyagraha was the first major work of his mature style. By poignantly transforming a flute line from the second scene into Gandhi's eloquent apostrophe to freedom at the end, Glass created one of the most powerful moments in modern opera. The melody...