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Negative Answer. A Faustian universe can even be justified mathematically, says Stannard, because the Einsteinian equation that expresses the time of one observer relative to the time of another observer moving at a different speed involves a square root. The square root of any number, he points out, can be a positive or a negative number. "What I suggest," says Stannard, "is that we accept the minus answer as a possibility. Thus we get negative, or Faustian, time...

Author: /time Magazine | Title: Cosmology: Where Time Runs Backward | 9/9/1966 | See Source »

...calculations made by Stanford University Physicist Leonard Schiff, the gyroscope should precess-change the direction of its axis of rotation-about 1/500th of a degree each year that it is in orbit. This gradual and almost imperceptible change would be caused by the continuous passage of the gyroscope through Einsteinian space, which is "warped" by the earth's gravitational field...

Author: /time Magazine | Title: Relativity: Proving Einstein Right | 4/22/1966 | See Source »

...raises such questions as whether the universe came into being suddenly, or whether it existed forever-and in that case, what is "forever"? What is eternity? "The subject," says Science Writer Leon Jaroff, "makes the mind boggle, especially when you get into the area of cosmology, into the Einsteinian concept of space...

Author: /time Magazine | Title: A Letter From The Publisher: Mar. 11, 1966 | 3/11/1966 | See Source »

Last Year at Marienbad. Alain Resnais, the grand admiral of the French New Wave, has produced a movie that is anything but a movie; a metaphysical enigma, a Platonic allegory, a treatise on cubistic cinema that attempts an Einsteinian revolution in the art of film...

Author: /time Magazine | Title: Time Listings: Apr. 6, 1962 | 4/6/1962 | See Source »

Last Year at Marienbad. Alain Resnais, the grand admiral of the French New Wave, has produced a movie that is anything but a movie: a metaphysical enigma, a Platonic allegory, a treatise on cubistic cinema that attempts an Einsteinian revolution in the art of film, a Rorschach blot into which the spectator can project whatever he pleases...

Author: /time Magazine | Title: Cinema: Mar. 30, 1962 | 3/30/1962 | See Source »

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