Word: eisenstein
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Dates: during 1960-1969
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Instead of doing this, the filmmakers have contented themselves with a series of unnatural color effects, that are clearly derived from the color sequences of Eisenstein's Ivan the Terrible, Part 2, but lack his incisive organization and satiric overtones...
...group of books which made clear years ago the principles of the art of cinema. Rene Clair said that "Nothing essential has been added to the art of the motion picture since Griffith": it is equally true that little important has been added to film theory since Pudovkin, and Eisenstein's Film Form and The Film Sense. (Raymond Spottiswoode's books might be included if they were not derivative from Pudovkin and Eisenstein.) I have little to say about it, except to recommend it. It is essential reading for anyone interested in films, and for such persons the only thing...
Ivan the Terrible: Part 2-The Revolt of the Boyars. Ivan is still terrible, but resembles his historical self less than he resembles Joseph Stalin-which was the intent of the late director Sergei Eisenstein...
Ivan the Terrible: Part 2-The Revolt of the Boyars. Ivan is still terrible, but resembles his historical self less than he resembles Joseph Stalin-which was the conscious intent of the late director Sergei Eisenstein...
Ivan the Terrible: Part 2-The Revolt of the Boyars. The second installment of the late Sergei Eisenstein's lugubrious but magnificent film chronicle of the reign of the Russian Czar bears little resemblance to the historical figure, is frankly and cunningly intended to represent Stalin...