Word: eisenstein
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Dates: during 1980-1989
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...liberalism guarantee artistry? Alas, no. Nor are today's Soviet films likely to be superior to those of the first flush of revolution. Now that the specter of Stalinism has receded, another shadow haunts Soviet filmmakers, and it may be harder to escape. This is the legacy of Sergei Eisenstein, V.I. Pudovkin, Alexander Dovzhenko and Dziga Vertov, the giants of Soviet silent cinema. Their works (October, Mother, Earth, Man with a Movie Camera) remain at the core of every film curriculum; movies are still made in the visual language they helped invent...
...expect some 21st century director to filch a scene from Little Vera the way David Lean, Brian De Palma and others have quoted the Odessa Steps sequence from Eisenstein's Potemkin. For one thing, critical realism, the style of most glasnost films, eschews the bold editing effects and pristine iconography of the Soviet silents. But style is subordinate to message just now: the priority is journalism, not art. To U.S. eyes, the rebels without a cause in an alienated-teen drama like Valeri Ogorodnikov's The Burglar are a sight as nostalgic as Hula-Hoops. But in the U.S.S.R. these...
...state censorship board. For any reason or none, Goskino could cut a scene, ban a film, put a director out of work or put him in jail. Sergei Paradjanov, a lyric poet in the Dovzhenko mold, spent nearly four years in prison. Andrei Tarkovsky, the greatest Soviet director since Eisenstein, filmed Andrei Rublev in 1966; the complete version was not shown publicly in the U.S.S.R. until 1987, just after Tarkovsky died in exile. Alexander Askoldov's The Commissar, filmed in 1967, was accused of "Zionist tendencies" and suppressed for 20 years; Askoldov has yet to make another movie. Erakli Kvirikadze...
Pool places only a modest burden on the wallet at a time when dinner and an evening out for two can inflict triple-digit damage. "It's cheap entertainment," says New York banker Stephen Eisenstein. "You can come by and meet a friend and chat -- or not -- as you choose." Nor is the sport as physically demanding as the swingles scene. Says real estate investor Miles Levine: "Sex and drugs are out. We're going back to a more conservative time...
...trance, and he only considered people in terms of his film. He would ask, 'Are you gonna help me carry this equipment?,' 'Are you gonna be an extra?' He was obsessed. That's sign of a true artist. So I gave him the nickname 'Sergei.' You know, like Sergei Eisenstein...