Word: eisenstein
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...sleep many nights while attending military school at age 16. So instead I decided to direct for stage and enrolled as a theater major at Hofstra University on Long Island. And then one afternoon in 1956, while a freshman, all my interests came together as I watched Sergei Eisenstein's 1927 silent masterpiece October: Ten Days That Shook the World, about the Russian revolution. I knew instantly I could combine storytelling with the innovation and technology of cinema...
Winthrop House: William L. Aronson, Paul G. Eisenstein, David K. Kessler and Patrick M. Medley...
...differing opinions of this particular bar. “This is super-chill; I like it here,” said Caroline L. Donchess ’04 approvingly. “I like the professional clientele…and the martinis,” added Paul G. Eisenstein ’04. “It’s too dark to read the drink menu,” Garza complained, holding a candle up to the laminated sheet and endangering the safety of all. “I want to go back to Aquitane,” Butler...
...definitely not your typical Goethe; only about five percent of the original play’s text makes it into Froehlich’s adaptation, which is also indebted to such influences as former Harvard professor Cornel R. West ’74 and Sergei Eisenstein...
...presses - who conjured up the images. The show begins with early esoteric work like Kliment Redko's 1924 Uprising, a black and flaming red square-within-a-square symbolizing the cosmic force of the Bolshevik Revolution. But by the late 1920s, the Left Front movement, which included filmmaker Sergei Eisenstein, had turned to a more accessible and representational art. Before long, Gustav Klutsis and Alexander Gerasimov had perfected the stiffly staged portraits - as reverential as old Russian icons - that mythologized Lenin and glorified Stalin. The familiar Gerasimov portrait of Stalin, looking kindly as a schoolmaster with outstretched hand and twinkle...