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SATURDAY: Ivan the Terrible, Part I. Sergei Eisenstein's epic biography, the first part of a never-completed trilogy begun during WWII. Music by Prokofiev...

Author: NO WRITER ATTRIBUTED | Title: television | 2/15/1973 | See Source »

...understandably, closely linked to the sequence. Eadweard Muybridge, whose photographs of animal locomotion were the first that could be termed sequences, was simply trying to do what film could before film had been invented. And the montage techniques which the sequence employs have no more important source than Eisenstein's pioncer writings on film...

Author: By Phil Pattion, | Title: Images In Sequence | 1/31/1973 | See Source »

HARVARD-EPWORTH CHURCH, "Blind Husbands" by Erich von Stroheim Jan. 18, 7:30. "The General Line" by Eisenstein plus "Summer Reverence" by Gerson...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 1/18/1973 | See Source »

General Line. Sergei Eisenstein's "girl-meets-tractor" silent film projects something close to Stalin's line on mechanized agriculture.' But the filming, of course, is brilliant, and the editing represents a major refinement of the exciting montage Eisenstein had developed in Strike and Potemkin...

Author: NO WRITER ATTRIBUTED | Title: the screen | 1/18/1973 | See Source »

...bathrobe, Clark lives alone in one of Manhattan's rundown hotels and is sustained by TV, soup and a weekly copy of Variety brought to him by his solicitous nephew-agent Ben (Lewis J. Stadlen). Clark particularly relishes scanning the obits in the show-biz bible ("Bernie Eisenstein...he was Rodriguez in the dance team of Ramona and Rodriguez...

Author: /time Magazine | Title: The Theater: Tis the Season | 1/1/1973 | See Source »

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