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...ever-pricked ears, and the Pravda denunciation that followed kept Shostakovich under a cloud for five years. But this time the guilty composers did not need to suffer so prolonged a darkness. The road to quick redemption had been charted by another great Soviet artist, Cinema Director Sergei Eisenstein. Several times damned for deviation (notably for Ivan the Terrible), he always recanted, begged forgiveness, and put a little more pig iron in his next picture...

Author: /time Magazine | Title: RUSSIA: Down with Marazm | 2/23/1948 | See Source »

Ivan the Terrible (Russian). Sergei Eisenstein's strained but fascinating attempt to create a visual equivalent of grand opera (TIME, April...

Author: /time Magazine | Title: Cinema: Choice for 1947 | 12/29/1947 | See Source »

...Moscow, famed Cineproducer Sergei Eisenstein took to the short waves to charge Hollywood with preaching "hatred of humanity and the Soviet Union, that great beacon of peace." Soliloquized Eisenstein reproachfully: "Can one remain an artist and not be impelled to arrest the hand which is sowing death...

Author: /time Magazine | Title: People: Just Deserts | 12/22/1947 | See Source »

...reason was Siqueiros' bold use of bold materials. Industrial enamels like Peroxylin and Vinylite he applied, sometimes with a spray gun, to Masonite and Bakelite. They made his paintings loom bright and powerful as new trucks. But there was a deeper reason: Siqueiros had at last taken Eisenstein's advice and ditched the propaganda art of his own manifesto. Illustrative documentary painting of social injustice might be fine for educating the masses, but by now it bored Siqueiros...

Author: /time Magazine | Title: Art: Paint & Pistols | 11/10/1947 | See Source »

Another full-length film, The Great Betrayal (Screencraft; Idea Film), concentrates on the incalculable labor that has gone into raising up Zion out of wasteland. It is photographed harshly and powerfully, and cut in the manner more brilliantly developed by Sergei Eisenstein. Despite its repetitiousness, the best of the film is an impressive-and exhausting-screen poem about hard work, and the profound sense of identity with a piece of the world that grows...

Author: /time Magazine | Title: Cinema: Special Pleading | 11/10/1947 | See Source »

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