Word: eisensteins
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...Sergei Eisenstein, the father of Russian cinema, is best known for his theory of film-as-montage. He positioned himself as a manipulator of space and time whose role it was to contribute to the foundation of a new Russia after the revolution of 1917: the end of czarism, the beginning of communism...
Sakurov’s technical innovation is meta-historical argument: a refutation and rejection of Eisenstein, a reconsideration of Russia from czarism, through communism, to the present...
Harvey located the Eisenstein classic Ivan the Terrible, Part II—then thought to have been destroyed by Stalin—and premiered it at the Brattle. He was also responsible for introducing contemporary European directors such as François Truffaut, Michaelangelo Antonioni and Ingmar Bergman to America. When he won an Oscar for The Virgin Spring in 1961, Bergman even had Harvey accept the award...
...German business partner after the latter returns to Germany in 1932. Author Kressmann Taylor tells the story solely through their letters, which saves a lot of space on plot, dialogue and description. Yet the letters carry considerable freight. "Back in Germany! How I envy you," enthuses Max Eisenstein to his old friend Martin Schulse in the opening missive. The warmth of the relationship is palpable as they recount their happy hours together, the minutiae of their business dealings and their increasingly divergent lives. "I am in distress at the press reports that come pouring in to us from the Fatherland...
...German romantic tradition. Dr. Mabuse captures the essence of post-war despair and is a commentary on the dangers of political power. Dr. Mabuse is a master of disguises, and through him, Lang reveals the deceptive power of the cinema. Die Nibelungen had a large impact on Eisenstein and uses symbolism to convey the epic tale of Siegfried and Brunhild...