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...Sergei Eisenstein, famed Russian cinema director, signed a contract with Paramount for $3,000 a week. Last week, from Manhattan, famed Sergei Eisenstein sailed back to Russia. It is customary for alien cinema artisans who have failed in Hollywood to speak bitterly of their sojourn there. Sergei Eisenstein...

Author: /time Magazine | Title: Cinema: Eisenstein's Monster | 5/2/1932 | See Source »

...leaving Hollywood, Director Eisenstein. whose passport had expired, was given a ticket to Russia via Japan. He appealed to Reformer Upton Sinclair to get his passport extended, raise funds for him to make a picture in Mexico. In Mexico, he set about making a picture according to his own notions. As is his practice, he used natives instead of trained actors. He worked only on sunny days, drank beer on days when it rained? With no projection room in which to view "rushes" he used an immense amount of film-160.000 ft. The picture, not yet publicly released, is called...

Author: /time Magazine | Title: Cinema: Eisenstein's Monster | 5/2/1932 | See Source »

...those days nothing like it had been seen. Devotees of the arts went to marvel, and there was talk of the cinema coming of age. "The Cabinet of Dr. Caligari" gave the impetus for a brilliant series of European films which included Murneau's "Dracula" (1922) and "Faust," and Eisenstein's "Ten Days That Shook the World" and "Old and New." To the imaginative force of "Caligari," Eisenstein added his technique of film assembly, or "montage," in which short bits of seemingly unrelated scenes are intercut and interposed to produce a visual counterpoint...

Author: By G. G. B., | Title: THE CRIMSON PLAYGOER | 1/4/1932 | See Source »

...comes "Das Lied vom Leben." On the strength of this film, director Alexis Granowsky takes his place beside Murneau and Eisenstein. This "Song of Life" is the story of a young girl's escape from a worldly bridegroom, the last of a dying line, and of her marriage with a young man who typifies the creative spirit, with a future of his own making before him. Merging as it does into symbolism, the story can hardly be more closely described without making it seem either recondite or sentimental. Just as there is no verbal transcription for a symphony, so there...

Author: By G. G. B., | Title: THE CRIMSON PLAYGOER | 1/4/1932 | See Source »

...against another brand of sound cartoon because a leering fish in it writhed up to a mermaid and slapped her on the thigh. But censorship is only a form of public testimony that Mickey Mouse and other animated cartoons are an important and permanent element of international amusement. Sergei Eisenstein, famed Russian director, has said: "They are America's most original contribution to culture...

Author: /time Magazine | Title: Cinema: Regulated Rodent | 2/16/1931 | See Source »

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