Word: eisensteins
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...career of Serge Eisenstein began first in the Russian theatre, where he was associated with Meyerbold, and later with the "Protecult," another revolutionary movement in the theatre. Six years ago he left the legitimate theatre for the motion picture, feeling that the latter was a greater art. Since then he has rapidly risen to fame, although the number of his productions is comparatively small. Beginning in 1924, he has produced four pictures, the first of which was "Strike." This was followed, in 1925, by "Potemkin," produced on the twentieth anniversary of the unsuccessful Russian revolution of 1905. "Ten Days That...
...Serge Eisenstein, Russian motion picture director whose productions have secured for him world-wide recognition, will lecture Monday evening in the Baker Library of the Harvard Business School. The distinguished film producer, who is making his first visit to America, is giving a few lectures at colleges and universities of the East, and when at 8 o'clock Monday he speaks on "The Cinema as an Art," members of the University will be afforded a rare opportunity to hear a man whose brilliant career has brought him to the peak...
...Eisenstein will use as illustrations for his talk portions of several of his pictures, one of which has not yet been released in Boston. Tickets have already been mailed to those on the Fine Arts mailing list, but in addition to those seats there will be places for about 500. These rush seats will be available at 7.45 o'clock...
...many instances fallen behind the technical growth of this industry but aside from the great mass of so called popular films there are Reveal organizations that are actually attempting to synchronize the latest mechanical advances with progressive artistic interpretation. The fact that the recent lectures of S. M. Eisenstein, the leading exponent of advanced films, are receiving such close and intelligent observation is an undeniable indication that, in spite of Jane Cowl, the motion picture has shown tremendous possibilities...
...Amkino). To Manhattan last week came Producer Jesse L. Lasky and Director Sergie Michailovitch Eisenstein aboard the Enropa. In Director Eisenstein's pocket was a contract with Paramount-Famous-Lasky Corp. to direct their pictures, use his original art?an art of faces. Instead of finding an actor whose physical equipment, intelligence and training fit him to play a given part, Eisenstein looks for a human being who will be the part, whose performance in front of the camera will not be acting but a continuation of the life which that person lives daily. It is a method which...