Word: eisler
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Dates: during 1970-1979
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Blitzstein, who taught at the Downtown School in New York during the thirties with none other than Elie Siegmeister and Hans Eisler as colleagues, inspired Lehrman to take a new look at Brecht's 1948 didactic play about the Paris Commune-or, more precisely, Blitzstein with an interpretational gloss thrown on his work by Leonard Bernstein. Bernstein in 1940 presented a production at Sanders of Blitzstein's The Cradle Will Rock. Bernstein adopted a "cantata form, from the piano." Lehrman, himself the director of a 1969 Cradle Will Rock production, explained in a 1970 essay about Blitzstein. This is "exactly...
...adapting Days of the Commune in "Cantata" form, Lehrman included the four songs by Hans Eisler which Brecht originally wrote into the texture of his play. But hoping to make Brecht's uncompromising moral preachments more palatable to American audiences, whose effete musical diet dates from the Ziegfeld Follies, not Wagner, Lehrman has inserted six more songs by Eisler and the Communist anthem "Internationale" to make Commune more fully music-drama ( Theater mit Musik ). He justifies the increased emphasis on music not solely as a concession to American sensibility, but as the "use of a Wagnerian technique to make...
...joined the Composers Collective, the first left-wing, musical-political organization in the U. S., whose members included Bertolt Brecht, Hans Eisler, Earl Robinson, Elie Siegmeister and Aaron Copland. Having decided that "the world is divided into the murderers and the murdered," he wanted to show in his work which is which. His life paralleled his writing once too often: he was murdered...
...Woltman's reporting on a real estate mortgage-bond racket in New York City won a Pulitzer for the New York World-Telegram, but he is best remembered for his Pulitzer prizewinning series in 1946 uncovering Communist infiltration into unions, during which he exposed Gerhart Eisler as the Kremlin's principal agent...