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...this film adaptation he has pruned some of Brecht's more arid ideological asides without substantially damaging the original text. Somewhat less comfortably, Losey flirts with Brecht's best-known theatrical devices: he uses a chorus (as well as the excellent original score of Hanns Eisler) and stages the scene of Galileo's anticipated recantation in stark relief - huge shadows against a white screen dwarfing the fore ground figures. He also begins the whole production with an overhead shot of the film sound stage. Since Brecht's ideas were intended to breach and defy the proscenium...

Author: /time Magazine | Title: Cinema: Genius Outdone, Done In | 2/10/1975 | See Source »

...says Marie Kargman, an attorney who works with the Massachusetts Advisory Council on Home and Family. "Rights to property or continuity of residence have never been defined." When a child inherits money, his legal interests are usually protected by court order. Yet in a divorce, complains Los Angeles Attorney Eisler, where the entire fabric of a child's life is involved, "the husband and wife are entitled to counsel, but not the children...

Author: /time Magazine | Title: The Law: Children's Rights: The Latest Crusade | 12/25/1972 | See Source »

...substantial gifts, he was offered the script of a shrill melodrama entitled I Married a Communist. He refused to film it. Later he discovered that to his bosses at the old RKO studio, anyone who declined the project was politically suspect. Losey's political history-sponsoring Composer Hanns Eisler, supporting Playwright Bertolt Brecht, signing a friend-of-the-court brief for Producer Adrian Scott, one of the original Hollywood Ten-got him into serious trouble. Soon he was called to testify by the House Un-American Activities Committee. He never received the subpoena, he says, but all employment abruptly...

Author: /time Magazine | Title: Cinema: Two by Losey | 8/9/1971 | See Source »

...adapting Days of the Commune in "Cantata" form, Lehrman included the four songs by Hans Eisler which Brecht originally wrote into the texture of his play. But hoping to make Brecht's uncompromising moral preachments more palatable to American audiences, whose effete musical diet dates from the Ziegfeld Follies, not Wagner, Lehrman has inserted six more songs by Eisler and the Communist anthem "Internationale" to make Commune more fully music-drama ( Theater mit Musik ). He justifies the increased emphasis on music not solely as a concession to American sensibility, but as the "use of a Wagnerian technique to make...

Author: By James M. Lewis, | Title: Theatre Days of the Commune at Sanders Theatre at 8:30 p.m. tonight | 3/17/1971 | See Source »

...whole, as a success-if only for this robust fusion of music and dramatic spectacle. In Sanders, the slide-show of period engravings and photographs should make the mise en scene more convincing-and, with a little more coordination of scene changes, less awkward. In any event, Brecht, Eisler, Lehrman and his company merit the whole University's attention. Tonight may be a sequel to the teach-in. It may be something more...

Author: By James M. Lewis, | Title: Theatre Days of the Commune at Sanders Theatre at 8:30 p.m. tonight | 3/17/1971 | See Source »

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