Word: either
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Dates: during 1920-1929
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...evil of specialization which has grown out of the modern educational system. The last speaker for the affirmative, D. W. Chapman '27, will broach the issue in a somewhat more humorous vein. His arguments are based on the assumption that people are becoming too educated to be either comfortable or agreeable. He is also going to decry the decay of modern literature, putting the responsibility for this decline on the development of education...
...principle the solicitation of college athletes by professional football leagues or amateur athletic clubs is very must the same. The result of participation under either type of organization lays undue emphasis on the athlete as an individual, and on the part which athletics as a whole should play in education...
...plan either trivial, or inadequate. By removing what must always remain little more than the culminating expression of fact-knowledge, the ambitious scholar is thus able to spend his senior year in work sufficiently individual to justify his continuance in the college. Such a means of proving his acquaintance with scholarship is too near the under class of preparatory method. That it is needed as a justification for further work in a less frigid manner is obvious--as obvious as the fact that the senior candidate for distinction has passed beyond the desire for such expression of accomplishment. Freed from...
...triumphant moment when Mr. Clive, himself, around the stage (deafening applause) of the masculine in a dramatic matriarchy, he adjusted his bat wing tie, leaned on his cane, angled his hat, was, in fact, the life of the party. Yet one cannot forgive him those lines--or Gertrude Jennings either--"Do you remember your parents? Then I suppose they died before you were born." Men have walked the streets of Brockton for less than that...
...policy of producing plays hitherto unproduced in America is excellent when the plays are good. But as the Harvard Dramatic Club has proved, they are sometimes far from good. "The Young Person in Pink" is certainly in the latter class, lending itself at best in no very definite way either to acting or to production--for Hyde Park is not the easiest spot for the Copley to orient to its red asbestos curtain--nor is Lady Tonbridge's Charleston arena, nee home. The only thing it really adopts itself to is Mr. Mowbray's smile that was quite satisfying...