Word: either
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Dates: during 1990-1999
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...ramidus and A. anamensis fit into the scheme of human evolution? Leakey believes the latter is a direct ancestor of A. afarensis and thus a direct ancestor of modern humans. White and his colleagues have tentatively labeled the older ramidus a "sister species" of all later hominids; it's either our direct ancestor or a close relative of that ancestor. Whichever ramidus turns out to be, it's clear that paleontologists are closing in on the split between apes and humans. "We're in the ballpark. Five or 10 years ago, we couldn't even have conceived of this," asserts...
...such long stretches of time (mostly, in this case, before humans appeared), or at an infinitude beneath our powers of direct visualization (subatomic particles, for example), can be seen directly. If justification required eyewitness testimony, we would have no sciences of deep time--no geology, no ancient human history either. (Should I believe Julius Caesar ever existed? The hard bony evidence for human evolution, as described in the preceding pages, surely exceeds our reliable documentation of Caesar's life...
...only politician who is lending us her ears. "Listening" has become mandatory in a state-of-the-art campaign, regardless of the candidate's party or ideology. As he was preparing his campaign, George W. Bush made clear he wasn't going to be a chatterbox, either. "I need to go out and listen to what people have to say," he said, by way of explaining why he refuses to tell us what he has to say. At events in Iowa and New Hampshire, Bill Bradley enters the room and announces, "I'm here to listen. Tell me your stories...
...setting is a 19th century, New York City theatrical company, but this utterly beguiling film has a European manner about it. Everyone in it is either darkly obsessive or madly grand. The story--Turturro is a playwright struggling to finish a play--is an excuse for a lot of ill-considered, utterly forgivable behavior by a wonderful cast, in which Katherine Borowitz is calmly radiant as the company's leading lady, Christopher Walken deliriously funny as a drama critic. The direction is self-consciously sober, lending an odd, artful weight to the prevailing giddiness...
...experts who built the welfare system didn't intend to create a toxic culture of dependency. And it turns out the reformers offering antidotes didn't anticipate some of their own side effects either...