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Word: ekstrom (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...obsessive assemblagist who produces gaudy conglomerations out of the found objects that he squirrels away against the day when he may need them. By now he has accumulated hundreds of hat blocks at his East Hampton studio, has used scores in his sculptures. Blocks have also long fascinated Arne Ekstrom, director of the Cordier & Ekstrom gallery. When he got the notion of supplying various artists with a block of their choice to see what they could produce, he asked to use Ossorio's collection as a source of supply...

Author: /time Magazine | Title: Art: Old Hat No More | 12/19/1969 | See Source »

...went to Brooklyn's Pratt Institute, won a Guggenheim for travel abroad, enjoyed a healthy success this season at Manhattan's Cordier & Ekstrom Gallery. She considers her heads, among other things, a kind of social commentary. "Look at the censored faces in the street," she says. "You can almost see people saying, I'm not going to be caught feeling.' My figures feel right because they're all tied down. They may look frightening at first-after I had done a few, I ran out of my studio. Then I began to see how defenseless...

Author: /time Magazine | Title: Trends: Beyond Nightmare | 6/13/1969 | See Source »

...sharecropper in the South, where he was born, the tense, raucous life of his boyhood in Harlem, where his father was a city health inspector, and Boston, where as a youth Bearden played pro baseball in the Negro leagues. The 15 works on display at Manhattan's Cordier & Ekstrom gallery are meant to fill in the gap. They range from scenes outside sharecroppers' shanties (see color opposite) and springtime in the cotton fields to a portrait of a gangland adolescent returning home in Harlem...

Author: /time Magazine | Title: Painting: Touching at the Core | 10/27/1967 | See Source »

...hard, bright images of the current scene, now on view at Manhattan's Cordier & Ekstrom Gallery, make Lindner seem almost pop. But he is 65 and neo-nothing. He has successfully spanned the decades between the black Brechtian satire of his early years in pre-Hitler Germany and the machine-tempered, mass-produced present...

Author: /time Magazine | Title: Artists: Baal Booster | 2/3/1967 | See Source »

...exhibit's month-long stay, the decades are divided among the following Manhattan art dealers: Paul Rosenberg, 1895-1904; M. Knoedler, 1905-1914; Perls and E. V. Thaw, 1915-1924; Saidenberg and Stephen Hahn, 1925-1934; Pierre Matisse, 1935-1944; Andre Emmerich and Odyssia, 1945-1954; Cordier & Ekstrom...

Author: /time Magazine | Title: Exhibitions: Progressive Seebang | 5/6/1966 | See Source »

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