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...went to Brooklyn's Pratt Institute, won a Guggenheim for travel abroad, enjoyed a healthy success this season at Manhattan's Cordier & Ekstrom Gallery. She considers her heads, among other things, a kind of social commentary. "Look at the censored faces in the street," she says. "You can almost see people saying, I'm not going to be caught feeling.' My figures feel right because they're all tied down. They may look frightening at first-after I had done a few, I ran out of my studio. Then I began to see how defenseless...

Author: /time Magazine | Title: Trends: Beyond Nightmare | 6/13/1969 | See Source »

...sharecropper in the South, where he was born, the tense, raucous life of his boyhood in Harlem, where his father was a city health inspector, and Boston, where as a youth Bearden played pro baseball in the Negro leagues. The 15 works on display at Manhattan's Cordier & Ekstrom gallery are meant to fill in the gap. They range from scenes outside sharecroppers' shanties (see color opposite) and springtime in the cotton fields to a portrait of a gangland adolescent returning home in Harlem...

Author: /time Magazine | Title: Painting: Touching at the Core | 10/27/1967 | See Source »

...hard, bright images of the current scene, now on view at Manhattan's Cordier & Ekstrom Gallery, make Lindner seem almost pop. But he is 65 and neo-nothing. He has successfully spanned the decades between the black Brechtian satire of his early years in pre-Hitler Germany and the machine-tempered, mass-produced present...

Author: /time Magazine | Title: Artists: Baal Booster | 2/3/1967 | See Source »

...exhibit's month-long stay, the decades are divided among the following Manhattan art dealers: Paul Rosenberg, 1895-1904; M. Knoedler, 1905-1914; Perls and E. V. Thaw, 1915-1924; Saidenberg and Stephen Hahn, 1925-1934; Pierre Matisse, 1935-1944; Andre Emmerich and Odyssia, 1945-1954; Cordier & Ekstrom...

Author: /time Magazine | Title: Exhibitions: Progressive Seebang | 5/6/1966 | See Source »

...refuses to supply a dictionary for his thickly poetical paintings, which went on view last week in Manhattan's Cordier & Ekstrom Gallery. At a quick glance, they seem like wall scribblings, or graffiti, which suggest the vocabulary of dreams. A tryptich entitled High Plateau of Uncertainty is complete with contours numbered to indicate altitudes...

Author: /time Magazine | Title: Painting: Topography from Lilliput | 1/21/1966 | See Source »

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