Search Details

Word: elders (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

...jeering exchange of expletives. At first bubbling with apologies and awkwardness, they soon fall immediately into their hosts' manipulative and destructive games. Surrounded by a well-stocked bar and worn volumes on the shelves (including such too-apt titles as "The Possessed," "Illusions," "Gamesman" and "Father's Day"), the elder couple nastily unloads their marital bloody laundry, referring periodically to their never-present, elusive son, all the while extracting damaging confessions from Nick and Honey. As the evening progresses, the two couples' elaborately deceptive language descends, drink by drink, into the monosyllabism of pain and truth...

Author: By Lisa K. Pinsley, | Title: BCA's Woolf: Be Afraid; Be Very Afraid | 9/19/1996 | See Source »

...their own anxieties with closely guarded self-deceptions, and each eventually reveals himself to one of the other characters; this transformation, aided by alcohol, poses one of the greatest challenges for the four actors. Luckily all of the performances were at least adequate; however, Ayres and Moulton, playing the elder couple, are slightly more believable, or perhaps more energetic, throughout the course of the night. Ayres roars appropriately through lines like "I'm running this show!" as he conducts the latest game, "Get the Guests;" and he dryly combines hate, humbleness and irony as he retorts to Nick's accusation...

Author: By Lisa K. Pinsley, | Title: BCA's Woolf: Be Afraid; Be Very Afraid | 9/19/1996 | See Source »

...Honey and Nick, Jesson and Souza tackle somewhat more difficult roles, for their characters seem, at first, to lack any of the depth and inner turmoil of their elder colleagues. Honey hops into and through the production with an acebandaged ankle, a successful addition to the original script (Albee never calls for her injury), be it an intentional move by the director, George O'Keefe, or a lucky unintentional slip-and-fall by Jesson herself. Perhaps portraying a ditz is difficult, but Jesson's performance, while adequate, leans toward the uninspired. Hubby Souza exudes the young preppiness of a just...

Author: By Lisa K. Pinsley, | Title: BCA's Woolf: Be Afraid; Be Very Afraid | 9/19/1996 | See Source »

...Fitzpatrick (John Mahoney) is a retired New York City fireman who has lost faith in God but doesn't believe that prevents him from remaining a good Catholic. His wife (whom we never see) is having an affair with the man at the hardware store. Their elder son Mickey (played by writer-director Edward Burns) is a cabbie who marries one of his fares (Maxine Bahns) 24 hours after she hails his hack. The younger, Francis (Mike McGlone), is a master of the Wall Street universe, but not of life beyond it. He claims to be too preoccupied to have...

Author: /time Magazine | Title: CINEMA: FOOLS FOR LOVE | 9/2/1996 | See Source »

...served as a lawyer for Faulkner, puts it, "Shannon always, always wanted to please the Citadel. But in order to get into the school, she had to go to court. It was a cruel situation." Seventeen-year-old Kim Messer's father is an Army veteran, and her elder brother attended the Citadel before leaving for medical reasons. Her passion for things military is already intense: in high school in Clover, South Carolina, she became the group commander for the Air Force Junior ROTC, helped organize her high school's first military ball and spent the summer in rigorous ROTC...

Author: /time Magazine | Title: LET THE HELL WEEK BEGIN | 8/26/1996 | See Source »

Previous | 189 | 190 | 191 | 192 | 193 | 194 | 195 | 196 | 197 | 198 | 199 | 200 | 201 | 202 | 203 | 204 | 205 | 206 | 207 | 208 | 209 | Next