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Word: eleanor (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Flute music by Eleanor Clark, makeup by Richard Smithies, and startling set and lighting by Edward Stankiewicz and Howard Andrews all combine delicately and to fine effect. The costuming, too, is attractive and appropriate...

Author: By John A. Pope, | Title: Le Retour de L'Enfant Prodigue | 12/17/1955 | See Source »

Handiwork. In Chicago, with a divorce suit pending. Mrs. Eleanor Fitzpatrick had her husband summoned to court on a charge that he "tormented" her by constantly snapping his fingers under her nose...

Author: /time Magazine | Title: Miscellany, Nov. 21, 1955 | 11/21/1955 | See Source »

Tireless Cinecomedian Danny (Hans Christian Anderson) Kaye loped into Manhattan, accepted from tireless Internationalist Eleanor Roosevelt and the American Association for the United Nations an award for "his unique accomplishments in aiding the children of the world." Volunteering as a U.N. "ambassador at large" last year, Kaye spent two months hopping some 40,000 miles about Asia, worked and entertained mightily for the United Nations International Children's Emergency Fund. The ceremony marked the prelude to nationwide observance (except in Utah-TIME, Oct. 17) of United Nations...

Author: /time Magazine | Title: People, Oct. 31, 1955 | 10/31/1955 | See Source »

From Clement Attlee's chambermaids to Eleanor Roosevelt's valets at the White House, the Westerners who cast eyes upon the belongings of Vyacheslav Molotov never ceased to be astonished by what they saw. One British chambermaid noted that beneath his pillow the Russian kept a pistol. Mrs. Roosevelt's servants reported that Molotov had brought a chunk of black bread, a roll of sausage, and a pistol. "Mr. Molotov evidently thought he might have to defend himself, and also that he might be hungry," Mrs. Roosevelt confided. "I liked him very much...

Author: /time Magazine | Title: FOREIGN RELATIONS: Gun No. 242332 | 9/12/1955 | See Source »

...When the boy's faithful sweetheart Ilia insists on dying with him, the god relents, and the ending is happy. After the two-hour performance, the audience applauded for 15 solid minutes. Backstage, people swarmed to get a glimpse of the evening's heroine, Metropolitan Opera Soprano Eleanor Steber, who sang Ilia. The Greeks had some words for her: "Htove docuiacVoia" (It was a miracle), and Trpocy Licx ev 'iyca" (I've never seen anything like...

Author: /time Magazine | Title: Music: Attic Operatics | 9/12/1955 | See Source »

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