Word: electras
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Dates: during 1950-1959
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...situation of Electra is almost that of Hamlet: a royal father's murder, by his wife and her paramour, must be avenged. But the protagonists of the two plays could hardly be more different. Electra, with her brother Orestes, is all clenched purpose and will. Indeed, despite the language barrier, last week's production particularly brought home what fierce, barbaric feeling is channeled by Sophocles' classic art. From the moment the curtains parted to reveal, on a bare, dim-lit stage, the bodingly severe entrance to the palace of Atreus, there was the sense of something ancient...
Actress Paxinou-already known to Broadway for several performances in English-made an impressive though hardly an inspired Electra. Impressive, too, was the Orestes of Thanos Cotsopoulos, the Clytemnestra of A. Raftopoulou. But what is usually the stumbling block of modern productions of Greek drama-the management of the chorus-was this time the special glory. There were "a few too-mannered touches; but its grave movement, its now murmurous, now resonant chanting, its sudden, swift, intensely dramatic confrontation of the audience, gave it a kind of orchestral grandeur and swell...
...post-war traditions look like they're here to stay. One is Wellesley's answer to the Dartmouth Winter Carnival, Winter Carousel, which occurs around February. The other is dwelt on more fondly, Sophomore Father's Day. Perhaps, Freud would call it socialized. Electra complex. But anyhow the old man gets to see what he's been paying for, and some girls even rationalize it into the best weekend date of their college career...
...model of Jones' seting for "A Man Who Married a Dumb Wife," which introduced a new concept of stagecraft to America in 1915. Other designs by Jones include sets for the John Barrymore "Hamlet" in 1923 and for several of Eugene O'Neill's plays, including "Mourning Becomes Electra" and "Ah, Wilderness...
...even count that movie version.") In 1936, he appeared in the role he has enjoyed most, Peer Gynt, in the 5-hour version. He made numerous movies about this time, none worthy of expert. The only American play in which he has appeared was O'Neill's "Mourning Becomes Electra" in 1938. He prefers to see American plays done by Americans, because of "a certain vitality they give it." Of the recent American plays he's seen, Mr. Devlin was most impressed with "The Glass Menagerie...