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Radiohead's sophomore release, the 1995 album The Bends, left previously skeptical critics pleasantly surprised. Having graduated from the mere thrills of self-aware existence and loud guitars, Radiohead used The Bends to explore themes of suburban ennui through subtler means. Chilling ballads and tortured rock songs backed with acoustic...

Author: By Thalia S. Field, CRIMSON STAFF WRITER | Title: Future Shock: 'Kid A' | 10/6/2000 | See Source »

I'm telling you all this to try to get across just how different it was being here, rather than being there. We hear that Americans didn't get excited at all about the Games. Down here, there was nothing but excitement - constant, feverish, electric excitement.

Author: /time Magazine | Title: Wrap-up: Letter from Sydney | 10/2/2000 | See Source »

As for the band leader, well, it's Bush's party, and he'll do whatever he wants; luckily, he's a highly talented multi-instrumentalist whose flights of fancy are well worth indulging. He's not the greatest singer, but that's hardly an obstacle to appreciating his terrific...

Author: /time Magazine | Title: Bringing Down the House | 9/29/2000 | See Source »

Vidal did not tinker with or update his 1960 play for its current Broadway incarnation, preferring to offer it as a period piece, a reminder of a time when important decisions were actually made at political conventions. He says he still had some faith in the U.S. political system when...

Author: /time Magazine | Title: The World According To Gore | 9/25/2000 | See Source »

There's also a lot of electronica ballads on the CD--and it's in the context of these ballads that Madonna has made the most progress. Her weakness has traditionally been shallow lyrics; regardless of what emotions she tries to conjure, Madonna always comes off as slightly pretentious, coolly...

Author: By By SOMAN S. chainani, CRIMSON STAFF WRITER | Title: The Rebirth of Madonna | 9/22/2000 | See Source »

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