Word: electros
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...spices; at Club Colombia, tel: (57-1) 249 5681, smart versions of local classics such as corn empanadas or chicken-and-potato soup are served in a sprawling, renovated mansion. For postprandial diversions, check out the campy Mai Lirol Darlin, tel: (57-1) 236 5846, or the gay, electro-pop Blues Bar, tel: (57-1) 616 7126 - both are filled with well-heeled, cocktail-sipping Bogatenos. After decades of conflict, they finally have something to drink...
Thousands of 30-lb. backpackable remote-controlled or "tele-operated" robots with infrared and electro-optical cameras are already clearing caves, buildings and other potential enemy locations in Iraq and Afghanistan. But two new robots are at the front of the autonomous revolution: the MULE and the SMSS. (See a gallery of robots...
Juana Molina’s music might be best classified as electro-folk-acoustic-world-ambient-avant-garde—which is to say that any attempt to categorize the Argentine singer’s style is nearly impossible. A more effective approach to her performance at the Brattle Theatre yesterday would be to think of entering a parallel universe where randomness provides the only order to bird calls, electronic rhythms, and hauntingly dissonant harmonies. Don’t try to understand—the music resists interpretation and relies on enigma. Molina, whose lyrics are mostly in Spanish, subscribes...
...released “Source Tags & Codes,” a darling album for indie rock enthusiasts. Since then, their music has been received with less than tepid ethusiasm. Some say that it was because they signed with Interscope. Some say that it was because Neil Busch, bassist and electro-noise maker, left the band. Some say that “Source Tags & Codes” was so perfect that anything that came after it would naturally pale in comparison. Whatever the case may be, Trail of Dead has been in a slump for the past seven years. The latest...
...second “This Fire,” if not “Take Me Out.” However, the album version veers too far into experimental, uncharted territory for Franz Ferdinand. Instead of the straightforward dance-rock, they substitute the catchy choruses for musing, fuzzy electro-noodlings. The first half of the album is much better than the second. The second half’s main problem lies in some of the songs’ repetitiveness and slow pace. One would wish the band had been able to come up with tunes worth humming. The chilled...