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Word: elegiac (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...discover these large designs, Commager had to pay infinite attention himself to Horace's constant changes in tone, and to his continual use of literary convention as a mask. In a single poem of thirty odd lines, Horace may shift many times between elegiac intensity and utter detachment. The pleasure of reading Horace is the pleasure of sensing these transitions; Commager has smoothed the road to Elysium...

Author: By Raymond A. Sokolov jr., | Title: The Odes of Horace | 5/14/1962 | See Source »

...suppresses its tantrums as impolite, part of Williams' cathartic appeal for an audience is to allow it to act out its hostilities vicariously. Above all, Williams is a master of mood. Sometimes it is hot, oppressive, simmering with catastrophe (Streetcar, Cat); at other times it is sad, autumnal, elegiac (Menagerie, Iguana). To achieve it, he uses the full orchestra of theatrical instruments: setting, lighting, music, plus the one impalpable, indispensable gift, the genius for making an audience forget that any other world exists except the one onstage...

Author: /time Magazine | Title: Theater: The Angel of the Odd | 3/9/1962 | See Source »

...Night of the Iguana, by Tennessee Williams. In a play of nocturnal mood and meaning, Williams assembles a defrocked minister, a spinster, a sensual spitfire and a nonagenarian poet on a Mexican hotel veranda, where their defeated dreams converge in an elegiac pattern of destiny...

Author: /time Magazine | Title: Cinema: Feb. 23, 1962 | 2/23/1962 | See Source »

...Night of the Iguana, by Tennessee Williams. In a play of nocturnal mood and meaning, Williams assembles a defrocked minister, a Nantucket spinster, a sensual spitfire and a nonagenarian poet on a Mexican hotel veranda, where their defeated dreams converge in an elegiac pattern of destiny...

Author: /time Magazine | Title: Cinema: Feb. 16, 1962 | 2/16/1962 | See Source »

SHADOWS ON THE GRASS, by Isak Dinesen. The author, who is Denmark's finest writer and one of the world's best, writes a dry, elegiac reminiscence of the years she spent from 1921 to 1931 managing a coffee plantation in Kenya. Miss Dinesen's principal theme is the feudal harmony of white master and black servant, making the book seem removed by centuries, not decades, from the present...

Author: /time Magazine | Title: Books: THE YEAR'S BEST | 12/29/1961 | See Source »

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