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Word: elegiacally (lookup in dictionary) (lookup stats)
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...often portrayed as a murderous psychotic (as in the 1978 movie Taxi Driver) or as a drug-wasted, haunted loser. In Coming Home, he became more sympathetic, though in one character he was a cripple, and in another, bitter and troubled and suicidal. The Deer Hunter ended with an elegiac singing of God Bless America in a blue-collar bar in Pennsylvania. In today's story lines, the Viet Nam vet tends to be a self-reliant hero, muscular and handsome--men like Tom Selleck in TV's Magnum, P.I., or the cartooned heroes of The A-Team...

Author: /time Magazine | Title: Viet Nam: A Bloody Rite of Passage | 4/15/1985 | See Source »

...notably George N. Martin as Harris' stolid, stubborn husband; only McGoohan's automaton-like condescension seems unreal. Director Clifford Williams has sensitively evoked the rhythms of the play, which alternates between naturalistic bursts of action and spotlighted soliloquies. Much of the story is told after the fact, in an elegiac, ruminative tone, reminiscent of $ recent work by Tom Stoppard and Simon Gray. The epilogue leaves open the central question: When intimacy based on false assumptions still feels genuine, what does friendship mean...

Author: /time Magazine | Title: Theater: False Friends Pack of Lies | 2/25/1985 | See Source »

...baby of Veteran Roadie Steve Parish had been killed two days before in an auto accident, and they assumed that the performance was a special effort, a memorial. But the Dead are always private; no announcement was made. At 2:15 a.m., Garcia sang the last song, an elegiac Bob Dylan tune that ends with the words, "It's all over now, Baby Blue." An 18-year-old girl who had been in the first row told her father that "he looked straight at me, and he was crying." So were you, Honey, thinks the father, looking at her blotched...

Author: /time Magazine | Title: In California: the Dead Live On | 2/11/1985 | See Source »

...death row and lands smack on top of the warden's beautiful wife (Diane Keaton). Ron Nyswaner's script is based on fact--a 1901 jailbreak masterminded by the young matriarch who had fallen in love with one of the convicts--but the tone is pure High Hollywood elegiac. This is revolution as amour fou, which Diane Keaton knows something about from her turns as Louise Bryant in Reds and the frazzled Mata Hari in The Little Drummer Girl. Keaton and Australian Director Gillian Armstrong (My Brilliant Career) might seem to make a good protofeminist match, but the results...

Author: /time Magazine | Title: Cinema: Rushes Mrs. Soffel | 1/14/1985 | See Source »

...young may be absorbing the new atmospherics from movies and TV. Five years ago, the nation watched a crop of elegiac Viet Nam movies such as Coming Home and The Deer Hunter. At the end of The Deer Hunter, when the hero has returned home, the crowd in a dingy bar in a Pennsylvania steel town sings God Bless America, but sings it so thinly and tentatively that the hymn becomes not an affirmation of the nation but a wistful dirge, the memory of something that the war destroyed. Today, the tones of patriotism in entertainment are loud and clear...

Author: /time Magazine | Title: Feeling Proud Again: Olympic Organizer Peter Ueberroth | 1/7/1985 | See Source »

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