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LABEL: KOCH SCHWANN; ELEKTRA NONESUCH...

Author: /time Magazine | Title: Not Just a One-Tune Man | 9/20/1993 | See Source »

...recording is the brainchild of Elektra Nonesuch senior vice president Robert Hurwitz, 43. Hurwitz first heard the symphony nearly a decade ago in one of the three previously recorded versions, but upon encountering it again at a London Sinfonietta program in 1989, he determined to record it with Upshaw and Zinman. Gorecki was present for the sessions in London in May 1991. "There is a brutal truth and honesty to this performance," says Hurwitz, "because the performers surrendered themselves to the music...

Author: /time Magazine | Title: Top of The Pops: A Symphony? | 3/8/1993 | See Source »

...LABEL: ELEKTRA...

Author: /time Magazine | Title: Fascinating Friction | 12/7/1992 | See Source »

What may have most roused the normally comatose Met audience was the production's feminist subtext. This Lucia is less a helpless damsel in distress than a strong, sexual woman who chooses death before dishonor -- Elektra's first cousin. Although she had some vocal difficulties on opening night (Donizetti's high notes are best not delivered while the soprano is on her knees or flat on her back), reigning bel canto diva June Anderson's forceful stage presence ensures that the heroine gives as good as she gets. Other notables include a promising American tenor, Richard Leech, as Lucia...

Author: /time Magazine | Title: Mad, Bad and Dangerous | 12/7/1992 | See Source »

...Elektra...

Author: By David S. Kurnick, | Title: Dig This Fluffy, Funky Groove | 8/21/1992 | See Source »

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