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Died. Gertrude Kappel, 86, opera star of the 1920s and '30s; in Munich. A specialist in supersoprano parts by Wagner and Strauss, Kappel was admired both for her beautiful voice and her ability to dig deeply into the psychology of opera's more peculiar characters. She sang Elektra in the Metropolitan's first production of the Strauss opera in 1932, upsetting some critics by her classical vocalism in this frenzied role, sending others into raves even for her vivid dancing. Among her admirers was Richard Strauss himself, who at the time preferred her Elektra to all others...

Author: /time Magazine | Title: Milestones, Apr. 19, 1971 | 4/19/1971 | See Source »

Fashion Conscious. There are, however, some errors of judgment and direction and the sound is often less than stereo fidelity. When Regina Resnik's Clytemnestra (in the Hamburg Elektra) is in full cry, the camera suddenly becomes fashion conscious: it stoops and meticulously inspects her hemline (floor length). In an otherwise masterful Così fan Tutte, the camera focuses mostly on a collection of ambulatory bird cages, making nonsense of Ferrando's aria, Un' aura amoroso...

Author: /time Magazine | Title: Music: Movie Time at the Opera | 7/27/1970 | See Source »

Released just three weeks ago by Elektra, which normally records the likes of the Doors, Judy Collins and the Incredible String Band, the album has already sold nearly a quarter-million copies. In addition to the hit record, life for Frye these days is one television performance after another plus college campus dates, nightclubs, Las Vegas and state fairs in the summer...

Author: /time Magazine | Title: Show Business: On the Griddle with Frye | 1/5/1970 | See Source »

...would have used it, a series of uncalled-for instruments puffed Handel's clean, baroque textures into plodding Victorian obesity. This musical elephantiasis reached some sort of a climax in 1959, when Sir Thomas Beecham recorded a Messiah that sounded a bit like Richard Strauss's Elektra: with cymbals, bells, triangles, and even a gong...

Author: /time Magazine | Title: Music: Misunderstood Messiah | 12/26/1969 | See Source »

...Mothers Manager Dick Barber complains that groupies are in such ready supply that it is "pretty hard" to get rock bands to morning practices or recording sessions, "and sometimes hard to get them on the bandstand at night." Josephine Mori, public relations girl for a rock record company called Elektra, calls groupies "piranhas" and says: "They have no appreciation of the person they go to bed with." Marty Pichinson, a drummer with a rock band known as the Revelles, disputes that description-but he sometimes does find groupies too much of a good thing. "Going to bed with a girl...

Author: /time Magazine | Title: Manners And Morals: The Groupies | 2/28/1969 | See Source »

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