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Every Inch a Sailor (Oscar Brand; Elektra, mono and stereo). Guitarist Brand offers a largely unprintable tour through the racier passages of Navy mythology in a series of songs sung by the fleet in World War II-Guantanamo Bay, Subdivision Nine, Zamboanga. The cast of female characters includes such wonders as Miss VD of Guam: "Admiral Nimitz gave the order/ Better keep your noses clean/ But Miss VD was waiting/ Like a bloody sex machine...

Author: /time Magazine | Title: Music: Pop Records | 2/8/1960 | See Source »

...which five years ago pledged itself to new or rarely performed works. In a sprawling tent at Ellenville, N.Y., the festival presented the Eastern premiere of Stravinsky's Canticum Sacrum, the premiere of a ballet by Villa-Lottos, Sibelius' music for The Tempest and Strauss's Elektra, Carl Orff's score for Midsummer Night's Dream. But the festival was dogged by bad luck and bad weather, last summer had to close up shop in midseason. This summer, operating from a new site, it has come back stronger than ever. Last week, with the first...

Author: /time Magazine | Title: Music: Opera Under Canvas | 8/10/1959 | See Source »

INGE BORKH, 36, a big-voiced, big-framed German soprano, sings brilliantly in such muscular roles as Elektra and Salome, overacts with boisterous Germanic abandon. Last week, in her Met debut, she acted a coarse-grained Salome. She danced enthusiastically, handled her voice intelligently and, in the final long soliloquy, sang with exquisite beauty...

Author: /time Magazine | Title: Music: New Voices at the Met | 2/3/1958 | See Source »

Strauss: Scenes from "Salome" and "Elektra" (Inge Borkh, soprano; Chicago Symphony conducted by Fritz Reiner; Victor, 2 LPs). A rising German-born soprano in two of her finest roles. The excerpts include her biggest scenes, including the only warm moments in Elektra -when the demented woman recognizes her brother. The orchestral climax is terrible in its intensity; Borkh is splendid...

Author: /time Magazine | Title: Music: New Records, Oct. 22, 1956 | 10/22/1956 | See Source »

...included Randolph-Macon students only, the male roles were all played by women. But after all this simply reversed the ancient practice, which allowed all-male casts only. A few of the big roles could have stood better acting; yet Jeannette Hume had a number of fine moments as Elektra. And it was a good idea for Elizabeth Scarff to portray Cassandra as insane, for this made more credible the continued disbelief of all her auditors. I do wish something had been done about the actresses' accents: Attic Greek just does not mix with a Southern United States drawl...

Author: By Caldwell Titcomb, | Title: Aeschylus' "Oresteia" | 8/16/1956 | See Source »

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