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...good in Phoebe, powered by Fanning's transcendent performance, outweighs the bad. But it's hard to know exactly whom the film is for. The fantasy element of Alice will likely provide a lot of allure to little girls. But their parents, eager for a happy afternoon out at the movies, should be prepared for all the troubling realities (including some vivid language) down this particular rabbit hole...

Author: /time Magazine | Title: Phoebe in Wonderland: A New Fanning Kid to Love | 3/5/2009 | See Source »

...People were calling me crazy,” Koh says, smiling. “People still call me crazy.” Though “crazy” may seem a bit excessive for a musician with high aspirations, Koh’s plans involve another, equally ambitious element. He hopes to make it as a world-class cell scientist as well as a world-class cellist...

Author: By Lingbo Li, CRIMSON STAFF WRITER | Title: Doing Double Time | 3/4/2009 | See Source »

...intriguing. The upside for Prince is obvious: in an era when record sales continue to slide, there's nothing quite as sweet as cash up-front, even if it does mean your face on a big cardboard display right next to the Swiffer. For Target, there's a small element of brand burnishing - Prince likes us! - but the music is primarily just one more product to seduce shoppers into its stores...

Author: /time Magazine | Title: Prince and Target: A Match Made in Discount Heaven | 3/3/2009 | See Source »

...also exalted the theatrical element over the musical. It happens that the Jonases write most of their own songs, which on first listen did not make me eager for a second. But the basic impact is visual: they're meant to be simultaneously cheerful and lubricious, to fulfill their fans' childlike idolatry and blooming sexual awareness. That's how the brothers' antiseptic image, and the movie's G rating, can coexist with the Jaggeresque poses and wind sprints of the one in the center, Joe Jonas...

Author: /time Magazine | Title: The Jonas Brothers Movie Review: Kids vs. Critic | 3/1/2009 | See Source »

...able to create a loosely chronological picture of his life.The play started with a vignette inspired by his children and then circled back to Gray’s painfully funny stories of adolescence in a small Rhode Island town. Each actor performed monologues centered on a different thematic element of Gray’s life—his exploits, his sexual encounters, or his fatherly instincts. Four seasoned performers–-Josh Lefkowitz, Ain Gordon, David Cale and Alina Troyana—told stories from Gray’s personal life; each night, a different guest personality each night played...

Author: By Rebecca J. Levitan, CONTRIBUTING WRITER | Title: At ICA Event, Spalding Gray has ‘Stories Left to Tell’ | 3/1/2009 | See Source »

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