Word: elephantitis
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Dates: during 1980-1989
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THE ELEPHANT MAN is a monster movie. It combines drawing-room genteelness and austerity with the elements of the classic 1930's horror films: the shadowy black-and-white photography; the slow fade-outs and dissolves; the eerie music; the mad scientist; the sensitive, hideous monster, misunderstood and abused by...
"Life--" the carnival barker shouts, striking a frightening pose and pausing dramatically, his crazed face illuminated by the kerosene lamp, "is full of surprises...behold the Terriblele Elephant Man." The curtain is swept away. In the mist and shadows, only the silhouette of the sideshow freak is visible--the twisted...
Treves, a dedicated surgeon, has sought out John Merrick to study his deformities and to present him to a conference of physicians as "the most perverted and degraded form of a human being" he has ever seen. Because Merrick will only grunt and growl, Treves takes him for an imbecile...
Director Lynch--whose only previous film is the weird and silly Eraserhead--handles Elephant Man with rare tact and delicacy. He paces his film deliberately, creating a cautious, mild-mannered atmosphere that keeps it from becoming a ridiculous creature feature or a two-hour sermon on life's injustice. He...
Fashions in movie genres hit Hollywood in successive waves of benign silliness. Remember the gang-war cycle, the roller-disco pix, the movies about movie stuntmen? Now there's another improbable genre: Noah's ark meets the road movie. Within the past year, three films have told the...