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Though not directed by Burton, "Nightmare" is the most fully realized execution of his brooding fantasies. Director Henry Selick and composer Danny Elfman have produced a Christmas special gone terribly wrong. All the expected cliches are here: the despairing soul who doesn't understand the holidays, the possibility of a Christmas that almost isn't, a jolly but befuddled Santa Claus and...a mad scientist with a flip-top skull? "Nightmare" is a decidedly different celebration of the season...

Author: By John ABOUD Iii, | Title: Creepy 'Christmas' | 10/28/1993 | See Source »

...Danny Elfman is as much in his element here as Burton. A frequent Burton contributor, his soundtracks have finally found the most ideal visuals possible. Blending the hurdy-gurdy eeriness of Halloween with the jingle-bell enthusiasm of Christmas songs yields a varied collection of hysterical musical numbers. They range from festive yuletide riffs to a Cab Calloway parody sung by the aptly named Oogie Boogie...

Author: By John ABOUD Iii, | Title: Creepy 'Christmas' | 10/28/1993 | See Source »

There's wit aplenty in Danny Elfman's discordantly lush score, with its sugarplum fairy exploding over meowing violins. And imposing performances from Walken, as a master builder who out-Trumps himself, and Keaton, sturdily imploding from Batman's unresolved, not quite explicable nobility. But the flashy turns are from DeVito and Pfeiffer...

Author: /time Magazine | Title: Battier and Better | 6/22/1992 | See Source »

...like Batman, this comic-book movie is anything but comic; every plangent chord of Danny Elfman's splendid pop-Wagnerian score underlines the scientist's twisted nobility. Raimi isn't effective with his actors, and the dialogue lacks smart menace, but his canny visual sense carries many a scene. And he knows how to give resonance to a tinny plot: by portraying a character so powerful and warped that he is urban America's perfect patron saint...

Author: /time Magazine | Title: Cinema: Ka-Boom! | 9/17/1990 | See Source »

...Elfman's score not only matches Prince's but surpasses his with its dark chords and swooping orchestral romanticism. Elfman's Batman sets a new standard for film scores. Only a superhero could do better...

Author: /time Magazine | Title: Critics' Voices: Oct. 16, 1989 | 10/16/1989 | See Source »

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