Word: elias
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...Florida's Gulf Coast, in Tampa. There, as a result, the Hillsborough County School Board ruled at a meeting that it would allow the speech. Dean and other speech opponents insist the Administration has not given educators an advance look at it, but Hillsborough schools superintendent Mary Ellen Elia announced that she and board members had indeed seen it and concluded that it conveys a healthy, nonpartisan message. Said Democratic board member Doretha Edgecomb: "It's a message that a lot of Presidents have given before." But some members complained nonetheless that they felt the Administration was pressuring schools...
...somebody who did a lot of writing over a career that spanned Hollywood's golden age and ended Wednesday with his death at 95, but none of his words packed a punch quite like that legendary exchange from On the Waterfront, the 1954 dockside drama he wrote for director Elia Kazan. In 2005, the "contender" line was chosen as No. 3 on the American Film Institute's list of the 100 greatest movie quotes, right after Clark Gable's "Frankly, my dear, I don't give a damn" from Gone With the Wind and Brando's "I made...
...Time That Remains (Elia Suleiman) The 60-year history of occupied Palestine as seen by Suleiman and his parents. Sounds glum, eh? Not so: its vignettes are absurd, poignant and subversively funny in a film that's a deadpan delight...
...jury that made room for Mendoza managed to ignore two men who are surely among the most daring, original and accomplished filmmakers in the competition, or anywhere else: Spain's Pedro Almodóvar, with his Penélope Cruz romantic drama Broken Embraces, and Palestine's Elia Suleiman, whose endearing, deadpan The Time That Remains tells, in sour or poignant vignettes, the history of his family and his sundered country. Resnais, whose Wild Grass shows the legendary 86-year-old director at the top of his puckishly anarchic form, won a Life Achievement Award - which is Palme-speak...
...Absalom, a first play by 25-year-old actress Zoe Kazan (granddaughter of director Elia), is a more conventional family drama, set in Berkshires home of an aging book editor, who is having a party for his new memoir revealing some uncomfortable family secrets. Kazan stuffs her play with characters and incidents; old feuds and private griefs; sibling rivalries and the inevitable outsider - a prodigal adopted son, now a hot TV producer, who arrives at the party uninvited. Kazan manages all this with some flair, but the gears show too much; it's one of those plays where characters keep...