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Word: elias (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Martin Schulkind and Elia Ayoub of the College of Medicine of the University of Florida have used transfer factor to treat effectively chronic mucocutaneous candidiasis, a severe fungal infection of the skin and mucous membranes; others have used it successfully to treat agammaglobulinemia and Wiskott-Aldrich syndrome, a hereditary defect that leaves its victims unable to resist certain infections...

Author: /time Magazine | Title: Toward Cancer Control | 3/19/1973 | See Source »

Adams Honse Films welcomes students, staff and guests of Harvard University to Elia Kazan's salute to adolescent sexuality, Splendor in the Grass which stars Warren Beatty and Natalic Wood supported by every good New York based character actor Kazan could find. Sat. 8 and 10.20 p.m. in the Dining Hall...

Author: NO WRITER ATTRIBUTED | Title: Harvard | 10/5/1972 | See Source »

ORSON WELLES CINEMA I. A Face in the Crowd, which Elia Kazan made to satirize politics via media, wasn't very good to begin with and dates badly. Chuck Kramer has made an absurd case against political art on its basis in The Real Paper. He obviously doesn't know the best film examples (Rosi's works), and anything outside of film. With The Critic. Call 868-3600 for times...

Author: NO WRITER ATTRIBUTED | Title: Cambridge | 9/28/1972 | See Source »

There is a distant quality about The Emigrants, a kind of intangible emotional reserve. The cast is superb; there are surely no better film actors in the world than Von Sydow and Ullman. But the director cannot make us feel the desperation and the destinies of his characters. Elia Kazan's America, America was not so elaborate or well sustained as The Emigrants, but Kazan's film had the impact of personal experience. The Emigrants has the accumulation of exquisite detail and close observation; it lacks intensity...

Author: /time Magazine | Title: Cinema: First-Class Passage | 9/25/1972 | See Source »

...Marxist-Fanonian Parable of revolution on a Portuguese-colonized island in the Caribbean in the mid nineteenth century. The story cluntsily parallels Vietnam, the Phillipines, et al., but Marlon Brando gives a superb performance as a British mercenary agent provocateur, and the direction is sensuously beautiful. With Vlva Zapsta. Elia Kazan's exciting but absurd film of a John Steinbeck script, full of take feeling for the Mexican little guy. Still, there's a young, dynamic Brando as Emiliano, and Anthony Quinn as his brother. ORSON WELLES CINEMA ONE. Call...

Author: NO WRITER ATTRIBUTED | Title: the screen | 7/25/1972 | See Source »

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