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Word: elias (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...focal point of student social life, and important events to Radcliffe women in those days were the dorm "jollyups," roughly equivalent to today's mixers. The jollyups were real meeting places, for, as Dorothy Elia Howells '60, author of "A Century to Celebrate": Radcliffe College 1879-1979, reports, a Harvard man could call a Radcliffe woman and tell her he had met her at a jollyup, even if he hadn't, and be virtually assured of her going out with him. On the other hand, The Crimson in September, 1950 said, "Jollyups are famous for the 5-2-1 quota...

Author: By Michael E. Silver, | Title: 25 Years of Over-Achieving | 6/4/1979 | See Source »

...grapple with these issues on film in Interiors, and he plans to make more serious films in the future. "I have always felt tragedy was the highest form, even as a child, before I could articulate it. There was something about the moodiness, the austerity, the apparent profundity of Elia Kazan's films then that sucked me in. With comedy you can buy yourself out of the problems of life and diffuse them. In tragedy, you must confront them and it is painful, but I'm a real sucker for it." Allen did not have a role in Interiors...

Author: /time Magazine | Title: An Interview with Woody | 4/30/1979 | See Source »

ACTS OF LOVE by Elia Kazan Knopf; 436-pages...

Author: /time Magazine | Title: Books: Summer Reading | 7/10/1978 | See Source »

...turned in the seat, pulled up her baby-blue skirt and offered two perfect pink buns. In the dark, they glowed like night flowers." Such high school imagery, unavailable in bookstores everywhere since Elia Kazan's last work, The Understudy, is now on display in his latest novel, Acts of Love. The sex is by the numbers, the philosophy has not yet graduated to the sophomoric, the characters are displayed in all their two dimensions, and the narrative is in overdrive...

Author: /time Magazine | Title: Books: Summer Reading | 7/10/1978 | See Source »

...pitfalls of the studio system in record time. Without ever unpacking his bags, he borrowed money to buy his way out of MGM. Back in New York, he landed a supporting role in a William Inge play, A Loss of Roses. Though the show flopped on Broadway, Elia Kazan happened to see it. "I liked Warren right away," the director recalls now. "He was awkward in a way that was attractive. He was very, very ambitious. He had a lot of hunger, as all the stars do when they are young." Kazan signed Beatty immediately for Splendor in the Grass...

Author: /time Magazine | Title: Warren Beatty Strikes Again | 7/3/1978 | See Source »

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