Word: elias
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...pitfalls of the studio system in record time. Without ever unpacking his bags, he borrowed money to buy his way out of MGM. Back in New York, he landed a supporting role in a William Inge play, A Loss of Roses. Though the show flopped on Broadway, Elia Kazan happened to see it. "I liked Warren right away," the director recalls now. "He was awkward in a way that was attractive. He was very, very ambitious. He had a lot of hunger, as all the stars do when they are young." Kazan signed Beatty immediately for Splendor in the Grass...
...docks of Hoboken; his amoral, streetwise Terry Malone will always be mentioned in the same breath with his Stanley Kowalski and Don Vita. The portrayal of Brando's relationship with Eva Marie-Saint's paragon of prudery rankles a bit, sugary in a few embarrassing moments. Yet Elia Kazan's otherwise slick direction salvages the plot, wisely allowing Brando to showcase his still developing talents and heart-melting looks. Studded with a brilliant supporting cast that featured Lee J. Cobb as a tyrannical union boss and Karl Malden as a crusading priest, "On the Waterfront" remains a prototype of movies...
...film, even more than the novel, Stahr emerges as the only fully realized character amid a sea of Hollywood types. While retaining much of the original dialogue, Pinter and director Elia Kazan have dispensed with the device of Cecilia as narrator; instead, we see Stahr head-on, dominating the film in the same way that he dominates everyone around him. The extent of his control is partly a function of the script, but it is enhanced immeasurably by Robert DeNiro's charismatic performance. DeNiro is brilliant in the role, evoking alternately the shrewd competence and romantic vulnerability which together make...
Directed by ELIA KAZAN...
...movie also contains Director Elia Kazan's most assured work in a decade. Scenes like Kathleen's first appearance-Stahr sees her on a set, in the aftermath of an earthquake, floating down a man-made river aboard the great plaster head of a mythological goddess-are brought off with the checked flamboyance characteristic of the best in Panic in the Streets and East of Eden. Kazan has certainly lost none of his assurance with actors. De Niro makes an appropriately remote Stahr, bright or shaded depending on the circumstances and angle of view. Mitchum, Milland, Tony Curtis...