Word: elias
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...physicians. Because Meniere's symptoms come and go unpredictably, evaluation of any treatment is a long and tedious process. But in a careful double-blind study, in which neither doctor nor patient knew which was the drug and which was the dummy sugar pill, Dr. Joseph C. Elia of Reno reported excellent results. Three-fourths of the time, the patients on the drug enjoyed relief from dizziness, nausea and headache; the tinnitus response was not so uniform, but still substantial...
...visited the sets of several pictures, has studied the editing, dubbing and scoring processes, has even sat in on a contract-haggling session in the William Morris talent agency. Between rubbernecking tours, he has picked some of the best and least complacent brains in the business-George Stevens Sr., Elia Kazan, Sidney Lumet. His homework has included not only the autobiography of Jack Warner but / Lost It at the Movies, Critic Pauline Kael's bristling broadside on what is wrong with Hollywood. (Valenti underlined the most compelling passages with a yellow felt-tip pen for future reference...
...which mostly they had. In recent years, however, New York has gone Wilde, and the newest darlings on its social circuit are artists and artisans who ten years ago were talked about but seldom talked to−such as, say, Norman (Mailer), Tennessee (Williams), Sammy (Davis Jr.), Gadge (Elia Kazan), Rudolf (Bing) and Cal (Robert Lowell). At the moment, the magic names are Andy and Edie...
...dissolves, leaving only the drama itself and its stated abstractions "in the mind, thought, and memory of Quentin, a contemporary man." It is Quentin's question, his search for hope and love after innocence has been lost, that must be real, not the past lives of Arthur Miller or Elia Kazan. But his eternal question is overshadowed by Maggie (Miss Monroe), by The Committee, and family, persons, and issues which become foci of dramatic attention instead of paths to Quentin's answer...
...letter in the current Variety, Harold R. Scott '57 points out that "the Negro members of the original company were signed to only one-year contracts by the previous co-directors, Elia Kazan and Robert Whitehead, while the majority of the permanent members were signed to two-year contracts." None of the Negroes' contracts has been renewed...