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...late Sixties saw a burst of cultural symbolism--each product of which was greeted with either glee or derision. Every milieu made its own contribution. The fashion industry bestowed the miniskirt, musicians drummed up acid rock, drugs brought their own cults etc. etc. In retrospect, these symbols elicit smiles--even laughs--of recognition from those who participated in, and watched their rises to popularity, and subsequent plummets to oblivion. Still, they deserve sober contemplation. The apolitical, self-absorbed demeanor of many members of the present generation decrees that these social signposts be regarded as fads. Such a viewpoint belittles...

Author: By Judy Bass, | Title: Sluggish Nonsense | 6/1/1977 | See Source »

...profusion of all too recognizable cliches may elicit a grimace or two during a screening of Star Wars, but there's no denying that the film ultimately wins you over. Lucas clearly does not suffer from the kind of overweening ambition in artistic vision that has proven the downfall of so many of his young contemporaries in American cinema. His mission is to entertain, and if such an end involves resorting to a few old standards of dialogue and theme, then so be it. Star Wars will neither pose nor answer any metaphysical questions that will keep the moviegoer scratching...

Author: By Joe Contreras, | Title: Star Escape | 6/1/1977 | See Source »

...likely to make was lost in the editing of the show. The 90-minute broadcast was distilled from almost five hours of grilling by Frost on Watergate. Nearly an hour of the taping that landed on the cutting-room floor covered unsuccessful efforts by the gentlemanly British interviewer to elicit some admission of responsibility and guilt. The final Nixon monologue that was shown was in fact the culmination of a long period of mounting tension on the homey seaside set in California, but this was not apparent to viewers. The buildup was lost and so, too, was the incongruous...

Author: /time Magazine | Title: SEQUELS: Nixon: Once More, with Feeling | 5/16/1977 | See Source »

...their arms, striking desolate poses and sighing for one Reginald Bunthorne: poet and poseurpar excellence. Bunthorne's dedication, you see, is not so much to his art as to himself. His aestheticism, which issues in a poetry devoted to colocynth and calomel, is mere affectation, a ploy designed to elicit the admiration of his gullible Victorian public...

Author: By Julia M. Klein, | Title: More Functional Than Aesthetic | 4/26/1977 | See Source »

...individual efforts inspired by music ("The doctor almost gave me up/ Till I heard that music/ Then I started to move") and touched objects ("This powder puff makes me think of your hair"). For one workshop, Koch and Farrell brought sea shells, seaweed and bags of sand to elicit sea poems ("I, the ocean/ So huge/ So powerful/ So rich"). Says Koch of his props: "The residents lived in such a deprived environment that if you brought in anything, they'd be inspired." By the final workshops, the students had progressed to more subtle subjects, such as their secret...

Author: /time Magazine | Title: Education: Pursuing a Gray-Haired Muse | 4/4/1977 | See Source »

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