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...like Moynihan if its cities are to survive and thrive. Last spring, Rhode Island's Providence College awarded Moynihan an honorary degree that was accompanied by a particularly apt citation: "You have dared to throw light on some of the most frightening problems facing urban dwellers, not to elicit common agreement with your solutions so much as to force us to look where we would rather not." Moynihan and the other urbanologists may not have all the answers for the crisis of the cities, but they are at least forcing America to peer into the frighteningly dark corners...

Author: /time Magazine | Title: Cities: Light in the Frightening Corners | 7/28/1967 | See Source »

...when the Lampoon to publish a summer issue, it could elicit nothing but subtle smirks from the waiting readers. The issue is now out, however, and the effects of the cultural revolution are salient: the 20-page production contains only seven meager articles (none related to each other), costs a piddling 35 cents on the newstands (or free in Bow Street trash barrels), and is generally...

Author: By Boisfeuillet JONES Jr., | Title: The Lampoon | 7/28/1967 | See Source »

...endless, defensive war. Much of Galbraith's proposal--his appeal for an end to the bombing and for a disassociation from General Ky and his coterie--is obviously laudable, but, because it does not hold out the possibility of an imminent termination of the war, it is unlikely to elicit any significant following...

Author: NO WRITER ATTRIBUTED | Title: Into the Breach | 7/7/1967 | See Source »

...plan will be considered in the Fall, but Monro indicated it did not elicit much interest from the Administrative Board...

Author: By W. BRUCE Springer, | Title: Tests Office to Study Language Provisions | 5/29/1967 | See Source »

...paintings apart from other contemporary paintings. The works of Kline, Rothko, and Newman--to mention only a few--impart their dominant mood at first glance and further investigation only elaborates and refines the sensation. "Optical" art, although it also changes continually and has a sustaining visual fascination, fails to elicit the excitement of the Louis paintings because it is devoid of any mood or emotion...

Author: By Jonathan D. Fineberg, | Title: Morris Louis | 4/26/1967 | See Source »

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