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Word: elios (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...film her new ghost-chiller A Quiet Place in the Country, was far from quiet. In fact, there seemed to be more shades underfoot than on the windows, which mysteriously slammed shut while chairs rattled unaided across floors, drawers floated out of place, and cameras smashed inexplicably. Director Elio Petri swore he bumped into-or through-a long-deceased ancestor of the villa's owner on the staircase one night. All those unnerving incidents soon had the stagehands muttering, and production lagged five days behind schedule until Vanessa and Co-Star Franco Nero, her constant companion since they made...

Author: /time Magazine | Title: People: Jun. 14, 1968 | 6/14/1968 | See Source »

Sometimes a pretty ugly movie like The Hill makes it on dramatic tension alone, and sometimes a dramatically vacuous one like Red Desert makes it purely on pictorial grace. Sometimes a movie like Elio Petri's The Tenth Victim, with Ursula Anbuild-up that fools people into seeing redeeming graces gets a publicity dress, Marcello Mastroianni...

Author: By Jeremy W. Heist, | Title: The Tenth Victim | 1/24/1966 | See Source »

...Director Elio Petri is apparently the chief villain, both for taking on so uneventful a screenplay and for composing such ugly shots. Petri used the technicians and the cameraman who worked with Antonioni on Red Desert. He has proven how effectively a film-maker can nullify such technical contributions by composing his images with the carelessness of a soap-opera director...

Author: By Jeremy W. Heist, | Title: The Tenth Victim | 1/24/1966 | See Source »

Alfred E. Vellucci, Cambridge's favorite City Councillor, yesterday unveiled documents that prove irrefutabaly Yale was founded by an Italian, Elio Yali...

Author: NO WRITER ATTRIBUTED | Title: Cambridge Solon Says Italian Founded Yale | 11/20/1965 | See Source »

...Director Elio Petri is deft and stylish with an escapade between a svelte, sexually inhibited matron (Claire Bloom) and an ardent industrialist (Charles Aznavour). After chasing around the tycoon's sumptuous beach house, the lady reveals that her whim for today is rough stuff in a sleazy motel room-a touch of aberration that is clue to a conventional surprise ending. In the last episode, Modern People, directed with rich detail and folksy color by Mario Monicelli (Big Deal on Madonna Street), a cheese dealer (Ugo Tognazzi) offers his wife to a creditor in payment of his gambling losses...

Author: /time Magazine | Title: Cinema: Shaking the Bedclothes | 7/23/1965 | See Source »

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