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...crew team “agreed that on account of the large number of entries they must have some distinguishing mark other than the underclothes in which they customarily rowed,” according to historian Samuel E. Morison, Class of 1908, in Three Centuries of Harvard. Hence, Eliot??s hasty run to buy the kerchiefs, which the athletes wore “to keep sweat out of their eyes when participating in sporting events,” according to Plummer Professor of Christian Morals Peter J. Gomes, who teaches Religion 1513, “Harvard: Five Centuries...

Author: By Gillian L. Warmflash, CRIMSON STAFF WRITER | Title: Harvard Explained | 4/11/2002 | See Source »

Marina Gerolimatos’ hands are both efficient and expressive. And in the Eliot House dining hall her efficiency (as Eliot??s dining card swiper) and her expressiveness (as a painter) are both on display. Gerolimatos, who has lived in America since 1978 and worked at Harvard since 1980, presided over the opening of the first public display of her work on March 3 in a small dining room in Eliot. So far, the reviews are glowing...

Author: By K. ALLIDAH Muller, CRIMSON STAFF WRITER | Title: Food and Culture | 3/14/2002 | See Source »

Also on display were first editions of Eliot??s The Dry Salvages (1941) and Old Possum’s Book of Practical Cats (1939) as well as a lecture Eliot gave on Milton...

Author: By Josiah P. Child, CONTRIBUTING WRITER | Title: Eliot Book Room Exhibits Treasures | 2/19/2002 | See Source »

More black and white awaits in Eliot??s Senior Common Room, but splashes of color—both real and implied—lend an understated but elegant grace to Carlyn Whitt’s portraits of “women of religious belief.” Imbued with dignity, Whitt’s subjects give the impression of having graciously taken a brief respite from the business of their everyday lives...

Author: By Benjamin Cowan, CRIMSON STAFF WRITER | Title: Bondage Art Holds Viewers Captive | 2/1/2002 | See Source »

Near the show’s conclusion, in Eliot??s Small Dining Room, Sheri J. Ward ’03 disrupts and disconcerts with a distortion of the world as we’re used to seeing it. Hints of dementia accompany an off-putting malleability of shape and concept, giving Ward’s pieces a power and mystery all their...

Author: By Benjamin Cowan, CRIMSON STAFF WRITER | Title: Bondage Art Holds Viewers Captive | 2/1/2002 | See Source »

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