Word: eliotisms
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Dates: during 1970-1979
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...spoke and answered questions before a crowd of 35 at the Eliot Senior Common Room last night, talking about life at Harvard...
...walks in with a wisecrack. Neither the intellectual pomp inherent in the lecture format, nor the stolid, somber Eliot House library can dampen his compulsive sense of humor. "The plays are the essence of me," he says. Perhaps it would be more accurate to say he is the essence of his plays; his wit flows so effortlessly, so smoothly that it seems innate. Neil Simon, apparently can't help being funny...
...argument with her characters in her film pencil Bookings. Much of the recent independent animation in the U.S. has been done by one-time VES 153 teachers and students. George Griffin taught it last year, Mary Beams Phillips the year before. Frank Mouris, who won an Academy Award, Eliot Noyes, famous for his sand film Sandman, and Caroline Leaf, whose experiments have been so numberous and noteworthy the last Center Screen showing will be devoted to her work--all are old friends of Carpenter Center. The movies in the New Personal Animation that are not products of the National Film...
Russian Piano Music - [Works of Prokofieff, Scriabian, Stravinsky and Rachmaninoff]--Mary Carol Commune, piano, Eliot House Library...
...Confederate Dead is the most personal and popular. The main theme of much of his highly intellectual, harsh and often violent poetry, he later wrote, was "man suffering from unbelief," and in 1950 he joined the Roman Catholic Church. He had much in common with T.S. Eliot, whom he vastly admired. Eliot once described Tate as a "sage" who "believes in reason rather than enthusiasm," knowing that "many problems are insoluble...