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Word: elissa (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Circus, is a religious spectacle, like The King of Kings and The Ten Commandments, of the type De Mille likes best. Before starting it he said he had been waiting for ten years for the cinema to become a vehicle adequate for what he had in mind. Choosing Elissa Landi for the role of heroine, he said: ". . . She combines mysticism and sex with the pure and wholesome. There is the depth of the ages in her eyes, today in her body and tomorrow in her spirit." As is his custom, Director De Mille took his scenarists on a yachting party...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 5, 1932 | 12/5/1932 | See Source »

Devil's Lottery (Fox). Simultaneously last week were released Elissa Landi's third novel and her fifth cinema. She had reason to be pleased with both. The book, House for Sale (Doubleday, Doran ?$2.00) is a competent study of a female musician who gave up her career in favor of matrimony and three children. No brilliant achievement for a professional novelist, it is probably the best fiction ever perpetrated by a cinemactress. The picture, Devil's Lottery, less sensational than The Yellow Ticket in which she last performed, is a glib and interesting melodrama in which Miss Landi performs...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 11, 1932 | 4/11/1932 | See Source »

...plot of Devil's Lottery is really the invention of one of its characters, Lord Litchfield (Halliwell Hobbs) who, when his horse King Midas wins the Derby, invites all the people who have held winning lottery tickets to a party at his house. Evelyn Beresford (Elissa Landi) turns up, accompanied by a scapegrace Army officer whose wife is absent and in poverty. The officer (Paul Cavanagh) plays cards with a clownish prizefighter (Victor McLaglen) and wins. The prizefighter tries to steal from his mother (Beryl Mercer) to pay the money and his mother dies of fear. The prizefighter then kills...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 11, 1932 | 4/11/1932 | See Source »

...generally supposed, the cinema has an important influence upon the behavior of cinemaddicts, there will presently be a large increase in the total number of U. S. strumpets. Norma Shearer, Constance Bennett, Elissa Landi, Helen Hayes, Claudette Colbert, Tallulah Bankhead, Evelyn Brent, Greta Garbo, Ruth Chatterton, Marlene Dietrich and Genevieve Tobin have all in recent pictures attractively performed functions ranging from noble prostitution to carefree concupiscence. A Free Soul, Strangers May Kiss, Susan Lenox: Her Fall & Rise, Once a Lady, Morocco, Body & Soul, An American Tragedy, The Sin of Madelon Claudet, My Sin, The Smiling Lieutenant, Born to Love prove...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 7, 1931 | 12/7/1931 | See Source »

This grim but lively melodrama, even more than her earlier vehicles (Always Goodby, Wicked) shows the potentialities of Elissa Landi as an emotional actress. A stage success of 17 years ago, the picture has two other noteworthy performances?by Laurence Olivier, a mild spoken English actor with unusually good camera presence, and Lionel Barrymore. Barrymore, the best leerer in his family, achieves facial contortions of unparalleled eloquence; he has added a scratchy guffaw to his paraphernalia of lechery. Good shot: the scene in a cabaret in which a song sung by the performers reminds Barrymore where he first saw Elissa...

Author: /time Magazine | Title: Cinema: The New Pictures: Nov. 9, 1931 | 11/9/1931 | See Source »

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