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...enjoyable entertainment. Cast in the role of Edmond Dantes, later the Count of Monte Cristo, Robert Donat gives a convincing performance. Suave, dashing, and clever, he captures to a great degree the manner and character of Dumas' immortal hero. Fortunate for the picture, the love interest, supplied by Elissa Landi, is subordinated. Other members of the cast were well selected and aid greatly in presenting a vivid dramatization...

Author: By J. H. H., | Title: The Crimson Playgoer | 10/29/1934 | See Source »

...Count of Monte Cristo"--excellent adaptation of Dumas' thrilling story of adventure, love, and revenge a la mode under the last of France's Bourbon monarchs. Robert Donat, who was last seen in "Henry the Eighth" does yeoman work in the leading role and is capably supported by Elissa Landi and Louis Alberni who is at his explosive best. Also, "La Cucaracha"--colorful short based upon the song of Villa's men--captivatingly sung and danced...

Author: NO WRITER ATTRIBUTED | Title: Merry-go-Round | 10/23/1934 | See Source »

...Kelths: "Count of Monte Cristo"--This picture has been held over for another week because of its surprising popularity. Robert Donat has the role of Dantes in this famous story of Du mas. Elissa Landi plays Mercedes, the heroine. Sidney Blackmer, O. P. Heggie, and Louis Calhern are included in the cast...

Author: NO WRITER ATTRIBUTED | Title: Merry-go-Round | 10/8/1934 | See Source »

...first-rate translation of one of Dumas' most picturesque stories. In it, a handsome, blond British actor named Robert Donat appears as Dantes, the French officer who, unjustly imprisoned in a dungeon, escapes to find buried treasure on a desert island and returns to outsmart his persecutors. Elissa Landi is Mercedes who, although forced into an unwelcome marriage when her lover goes to jail, remains sufficiently faithful, after her husband dies, to marry her inamorato when he returns. Good shot: the Abbe Faria (O. P. Heggie) suddenly poking his head through a tunnel and discovering Dantes' cell...

Author: /time Magazine | Title: Cinema: The New Pictures: Oct. 1, 1934 | 10/1/1934 | See Source »

...authenticity, the small details having been apparently well taken care of. Quite evident is the fact that the picture has been produced under the new "spotless" regime, there being nary a line that could bring even a blush to your grandmother's cheek. The nearest approach is by Mercedes (Elissa Landi) who, when in the course of a discussion of Dante's qualifications for marriage it was remarked that he "had no family," coyly retorted that she "would give...

Author: By H. M. I., | Title: The Crimson Playgoer | 9/27/1934 | See Source »

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