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...these flairs was that of a 1928 London taxi (presumably the only one in the U. S. today). This in itself, was not a distraction, but was quite enjoyable. It did, however, create new problems--and here is where the gods came in. In its attempt to carry Eliza Doolittle across the stage, the taxi stalled and left the actors and the audience in a prolonged embarrassment that was relieved only by the emergence of two stage hands who pushed the Austin on its weary way. The actors, and especially the taxi driver, George Bishop, heroically covered up this unavoidable...

Author: By Peter Lindenbaum, | Title: Pygmalion | 8/14/1958 | See Source »

This was fortunately offset by the remarkable Doolittle family. Rosemary Harris, as Eliza, and Max Adrian, as her father, rescued the first act, and then proceeded to steal the show in the final acts...

Author: By Peter Lindenbaum, | Title: Pygmalion | 8/14/1958 | See Source »

...second act was the triumph of the evening. The scene marked Eliza's first and half-educated entrance into high society. In this Miss Harris was perfect. Her conversation and accent, a mixture of her own flower-girl experience and the teaching of Professor Higgins, carried the one-sided conversation to a hilarious and colorful climax. She was ably assisted in this by Olive Dunbar as Mrs. Eynsford Hill, and Joyce Ebert as her daughter, whose wonderful indignant facial expression added a great deal of amusement to the overall scene. Cavada Humphrey, as Higgins' mother, played the Victorian matriarch...

Author: By Peter Lindenbaum, | Title: Pygmalion | 8/14/1958 | See Source »

...third act, Eliza and her father again carried the humor and action over Kilty's blustering and often clumsy Higgins. Again the applause-getting taxi wrought near-havoc, this time with a late entrance, leaving Eliza and Freddy Eynsford Hill, adequately played by Frederic Warriner, in an overlong and embarrassing embrace...

Author: By Peter Lindenbaum, | Title: Pygmalion | 8/14/1958 | See Source »

...Morn. As for women, "a varied sexual experience is necessary to the rhythm of life," he once told Secretary Young. "It quietens, it deadens, and it diverts." For the rhythm section of his life, Gulbenkian required a new girl about once every three months. He seemed to prefer the Eliza Doolittle type. There was a discreet "mistress of the mistresses' wardrobes" who handled the social polishing as well as the farewell sobs, frequently stifled by generous sums (average...

Author: /time Magazine | Title: Books: Solid Gold Scrooge | 6/23/1958 | See Source »

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