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Goldman, who adapted the screenplay from his 1966 Broadway drama, can hardly be blamed for that, but he does not even seem to know who the real James Goldman is. Sometimes he seems to be a swaggering Elizabethan playwright whose rhetorical sword never gets out of its scabbard. "The sky is pocked with stars," sighs Henry. "Has my willow turned to poison oak?" he inquires of his mistress. At other times, Goldman is an anachronistic historian. "It's 1183, and we're all barbarians," announces the Queen, Eleanor of Aquitaine (Katharine Hepburn). Often Goldman is simply...

Author: /time Magazine | Title: New Movies: The Sovereigns Next Door | 11/15/1968 | See Source »

Across North America, the festival season is in full voice, with accents ranging from Elizabethan to modern...

Author: /time Magazine | Title: Television: Jul. 12, 1968 | 7/12/1968 | See Source »

STRATFORD FESTIVAL, Stratford, Ont. Romance runs rampant with Romeo and Juliet and A Midsummer Night's Dream, while Tartuffe adds Gallic spice to the Elizabethan fare. On July 22, The Three Musketeers swashbuckle their way on stage, and on July 23, some Chekhovian melancholy is introduced in The Seagull. Samuel Beckett's Waiting for Godot provides a 20th century touch beginning Aug. 13. The season ends...

Author: /time Magazine | Title: Television: Jul. 12, 1968 | 7/12/1968 | See Source »

...only play in the canon to take place entirely in one location. And it is maddeningly rigid and sym-metrical in structure--less a drama than a formal and artificial Elizabethan pavane (in a couple of years he would wisely loosen up his predictable precision when he undertook the similarly structured As You Like...

Author: By Caldwell Titcomb, | Title: 'Love's Labour's Lost' Midst Rock 'n' Raga | 7/12/1968 | See Source »

...that 'parson,' 'person,' and 'pierce' were homophones? How many of you are familiar with words like kersey, farborough, caudle, inkle, thrasenical, and placket? You do know 'half' and 'capon,' but not in their meaning of 'wife' and 'love-letter.' And there is a parade of obscure proper names, Elizabethan slang, malapropisms, and sentences in both good and bad Latin. All of this makes the play an absolutely fascinating goldmine for the student of language in his den, but now it is hardly conducive to excitement on the stage...

Author: By Caldwell Titcomb, | Title: 'Love's Labour's Lost' Midst Rock 'n' Raga | 7/12/1968 | See Source »

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