Word: elizabethan
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ROSENCRANTZ AND GUILDENSTERN ARE DEAD. Beckoned to Elsinore they know not why, Tom Stoppard's neo-Elizabethan protagonists wander through historical events looking for significance and through their lives in search of identity. John Wood, Brian Murray and Paul Hecht share with the audience each nuance of meaning, each streak of mordant...
ROSENCRANTZ AND GUILDENSTERN ARE DEAD, winner of the Tony Award for Best Play, takes a chip off the old Bard to construct a neo-Elizabethan existentialist drama. Brian Murray and John Wood are extremely adept as Tom Stoppard's nether heroes of flashing wit but blinking comprehension...
...season merited an award. While it may pique national vanity, an esthetic dry spell is no novelty in the long history of drama. The sands of mediocrity have sometimes silted over the theater for 2,000 years-for example, between the titans of Greek tragedy and the genius of Elizabethan England. The lackluster quality of contemporary U.S. playwriting and the dearth of substantial new talent are simply a gap rather than an omen. The conventional and obvious scapegoat is Broadway, but this is pure fallacy: Broadway, with all its faults, has presented, honored and sustained every major U.S. playwright...
...sweep and scope makes large statements about the nature of life and refracts the temper of the times. All the great ages of theater have possessed a vaulting image of man, and an absorptive, undeviating concern with his destiny. "In apprehension, how like a god" is not casual Elizabethan rhetoric, but the supremely assured recognition that man is the noblest, grandest creature that walks the earth. And what does contemporary U.S. society say of the stature of man-how like a naked ape, how like an irrational id, how like a punch card in a computer? In the vertiginous distance...
ROSENCRANTZ AND GUILDENSTERN ARE DEAD, winner of the Tony Award for Best Play, takes a chip off the old Bard to construct a neo-Elizabethan existentialist drama. Brian Murray and John Wood are adept as Tom Stoppard's netherheroes of flashing wit but blinking comprehension...